NYFW September 15th - MAC Cosmetics Face Charts

PROENZA SCHOULER
“IT’S A MUTED LOOK WITH TOMBOYISH SQUARE BROWS, A BIT OF
CONTOURING AND A LITTLE NATURAL DISCOLOURATION LEFT UNDER
THE EYES FOR A BIT OF A GRUNGY FEEL.”
DIANE KENDAL


EYE
OMEGA, COQUETTE, OR MYSTERY EYE SHADOW – BRUSHED
THROUGH BROWS ONE SHADE DARKER THAN NATURAL HAIR COLOUR
TO CREATE A SQUARE TOMBOYISH SHAPE.


LIP
M·A·C PRO LIP ERASE IN DIM – TOUCHED ONTO THE LIPS
TO NEUTRALIZE THEIR NATURAL COLOUR.


FACE.
FACE AND BODY FOUNDATION – FOR SHEER COVERAGE.
M·A·C PRO SCULPTING POWDERS IN SCULPT –
TO CONTOUR THE CHEEKBONES.
IRIDESCENT SILVER DUSK LOOSE POWDER – HIGHLIGHTING
THE CHEEKBONES, NOSE AND TOPS OF THE LIPS.
NATHAN

NATHAN JENDEN
“THE LOOK IS A PREP SCHOOL GIRL GONE TO THE BEACH…
1940S JUDY GARLAND TO LADY GAGA.”
MAKKY


EYE – TWO LOOKS:
EYE 1
PENULTIMATE EYELINER IN RAPIDBLACK –
LINING THE TOP LASH LINE IN AN EXTENDED WINGED OUT SHAPE.
EYE 2
M·A·C PRO PURE WHITE CHROMAGRAPHIC PENCIL –
LINING THE TOP LASHLINE IN AN EXTENDED WINGED OUT SHAPE.
M·A·C PRO SILVER METAL PIGMENT – PRESSED INTO THE WHITE PENCIL
TO CREATE A SILVER LINE.


LIP
CHERRY LIP PENCIL – LINING THE LIPS.
M·A·C PRO CRIMSON LIPMIX – TO FILL IN THE LIPS.
M·A·C PRO REFLECTS RED GLITTER – PRESSED ONTO THE LIPMIX.


FACE
STUDIO SCULPT FOUNDATION – FOR PERFECTED SKIN.
GOLD DEPOSIT MINERALIZE SKINFINISH – AS A HIGHLIGHT
ON THE CHEEKBONES.

JEREMY SCOTT
“A COLLAGE OF CHAOS – MARILYN MONROE MEETS
DEBBIE HARRY AT CBGB’S.”
VAL GARLAND


EYE
M·A·C PRO PURE WHITE PAINTSTICK – BLENDED FROM LASHLINE
TO BROW AND SET WITH A LAYER OF GESSO EYE SHADOW.
M·A·C PRO BROWN CREAM LINER – BUFFED THROUGH THE
CREASE OF THE EYELIDS TO CREATE DEPTH.
IRIDESCENT SILVER DUSK LOOSE POWDER – BRUSHED OVER
BLOCKED OUT BROWS TO CREATE THE ILLUSION OF A HIGHLIGHTED BROW BONE.
M·A·C PRO BLACK OR BROWN CREAMLINER – DRAWN ABOVE
BLOCKED OUT BROWS TO CREATE DEFINED, ARCHED BROWS.
M·A·C PRO BLACK CREAMLINER – DRAWN IN A DRAMATIC,
EXTENDED, WINGED OUT SHAPE ALONG THE UPPER LASH LINE.
7 LASHES – APPLIED TO THE LASH LINES AS A BASE.
3 LASHES – CUT IN HALF AND APPLIED TO THE OUTER CORNERS
OF THE EYES FOR EXTRA DRAMA.
M·A·C PRO LASH BLACK – BLENDED THROUGH THE FALSE LASHES.


LIP
CHERRY LIP PENCIL – LINING THE LIPS PAST THE OUTER CORNERS
OF THE MOUTH INTO AN EXAGGERATED CARTOON LIKE SHAPE.
M·A·C PRO BASIC RED MICRONIZED AIRBRUSH – PAINTED ON MANUALLY
TO FILL IN THE LIPS.
M·A·C PRO BASIC RED PIGMENT – PATTED ON TOP FOR A SUPER MATTE
MOUTH CREATING A “DRAWN ON” EFFECT.


FACE
STUDIO SCULPT FOUNDATION – FOR PERFECTED SKIN.
M·A·C PRO MID-TONE SEPIA CREAM COLOUR BASE – TO CONTOUR
AND SCULPT THE CHEEKBONES.

A/W '10 MAC Cosmetics Face Charts February 17th

Eyes:
Eye Shadow in Vanilla and M·A·C Pro Pigment in White – layered onto the eye lid
Eye Pencil in Ebony and Fluidline in Blacktrack – applied pencil thin below the lower lash line and
along the crease of the eyelid, winged out and connected to the outer corner of the eye
Eye Shadow in Carbon – layered over the eyeliner to set
FACE:
Face and Body Foundation – applied to the entire face
Sculpting and Shaping Powder – applied to the cheekbones to contour
Lip:
Lip Erase in Dim – pressed into the centre of the lip with the fingertip to mute the natural colour
Lip Pencil in Stripdown – penciled around the mouth for an overdrawn , fuller lip
Lipstick in To Pamper (Available Fall 2010) – lightly washed over the lip



Eyes:
Cream Colour Base in M·A·C Pro Dark Brown – applied under the eye ,
into the crease of the eyelid and at the top of the lash line
and blended with a M·A·C 252 Brush
Gloss Texture – dabbed onto the eyelids
FACE:
Studio Finish Concealer– applied where needed
Blot Powder – used to set the foundation and give the skin a matte finish
Studio Finish Concealer in NC50 – applied to the cheekbones to
contour using a M·a·c 190 Brush
Lip:
Lipstick in Charred Red and Eye Shadow in Carbon – blended together
and applied, with more intensity in the centre of the lip