NYFW September 15th - MAC Cosmetics Face Charts

PROENZA SCHOULER
“IT’S A MUTED LOOK WITH TOMBOYISH SQUARE BROWS, A BIT OF
CONTOURING AND A LITTLE NATURAL DISCOLOURATION LEFT UNDER
THE EYES FOR A BIT OF A GRUNGY FEEL.”
DIANE KENDAL


EYE
OMEGA, COQUETTE, OR MYSTERY EYE SHADOW – BRUSHED
THROUGH BROWS ONE SHADE DARKER THAN NATURAL HAIR COLOUR
TO CREATE A SQUARE TOMBOYISH SHAPE.


LIP
M·A·C PRO LIP ERASE IN DIM – TOUCHED ONTO THE LIPS
TO NEUTRALIZE THEIR NATURAL COLOUR.


FACE.
FACE AND BODY FOUNDATION – FOR SHEER COVERAGE.
M·A·C PRO SCULPTING POWDERS IN SCULPT –
TO CONTOUR THE CHEEKBONES.
IRIDESCENT SILVER DUSK LOOSE POWDER – HIGHLIGHTING
THE CHEEKBONES, NOSE AND TOPS OF THE LIPS.
NATHAN

NATHAN JENDEN
“THE LOOK IS A PREP SCHOOL GIRL GONE TO THE BEACH…
1940S JUDY GARLAND TO LADY GAGA.”
MAKKY


EYE – TWO LOOKS:
EYE 1
PENULTIMATE EYELINER IN RAPIDBLACK –
LINING THE TOP LASH LINE IN AN EXTENDED WINGED OUT SHAPE.
EYE 2
M·A·C PRO PURE WHITE CHROMAGRAPHIC PENCIL –
LINING THE TOP LASHLINE IN AN EXTENDED WINGED OUT SHAPE.
M·A·C PRO SILVER METAL PIGMENT – PRESSED INTO THE WHITE PENCIL
TO CREATE A SILVER LINE.


LIP
CHERRY LIP PENCIL – LINING THE LIPS.
M·A·C PRO CRIMSON LIPMIX – TO FILL IN THE LIPS.
M·A·C PRO REFLECTS RED GLITTER – PRESSED ONTO THE LIPMIX.


FACE
STUDIO SCULPT FOUNDATION – FOR PERFECTED SKIN.
GOLD DEPOSIT MINERALIZE SKINFINISH – AS A HIGHLIGHT
ON THE CHEEKBONES.

JEREMY SCOTT
“A COLLAGE OF CHAOS – MARILYN MONROE MEETS
DEBBIE HARRY AT CBGB’S.”
VAL GARLAND


EYE
M·A·C PRO PURE WHITE PAINTSTICK – BLENDED FROM LASHLINE
TO BROW AND SET WITH A LAYER OF GESSO EYE SHADOW.
M·A·C PRO BROWN CREAM LINER – BUFFED THROUGH THE
CREASE OF THE EYELIDS TO CREATE DEPTH.
IRIDESCENT SILVER DUSK LOOSE POWDER – BRUSHED OVER
BLOCKED OUT BROWS TO CREATE THE ILLUSION OF A HIGHLIGHTED BROW BONE.
M·A·C PRO BLACK OR BROWN CREAMLINER – DRAWN ABOVE
BLOCKED OUT BROWS TO CREATE DEFINED, ARCHED BROWS.
M·A·C PRO BLACK CREAMLINER – DRAWN IN A DRAMATIC,
EXTENDED, WINGED OUT SHAPE ALONG THE UPPER LASH LINE.
7 LASHES – APPLIED TO THE LASH LINES AS A BASE.
3 LASHES – CUT IN HALF AND APPLIED TO THE OUTER CORNERS
OF THE EYES FOR EXTRA DRAMA.
M·A·C PRO LASH BLACK – BLENDED THROUGH THE FALSE LASHES.


LIP
CHERRY LIP PENCIL – LINING THE LIPS PAST THE OUTER CORNERS
OF THE MOUTH INTO AN EXAGGERATED CARTOON LIKE SHAPE.
M·A·C PRO BASIC RED MICRONIZED AIRBRUSH – PAINTED ON MANUALLY
TO FILL IN THE LIPS.
M·A·C PRO BASIC RED PIGMENT – PATTED ON TOP FOR A SUPER MATTE
MOUTH CREATING A “DRAWN ON” EFFECT.


FACE
STUDIO SCULPT FOUNDATION – FOR PERFECTED SKIN.
M·A·C PRO MID-TONE SEPIA CREAM COLOUR BASE – TO CONTOUR
AND SCULPT THE CHEEKBONES.

NYFW September 14th - MAC Cosmetics Face Charts

RODARTE
“IT’S ALL ABOUT NORTHERN CALIFORNIA, GIANT REDWOODS AND
THE GOLD RUSH OF 1849.”
JAMES KALIARDOS


EYE
NC42 SELECT COVER-UP CONCEALER – BLENDED ONTO THE EYELIDS.
36 LASH – PAINTED WITH GOLDEN LEMON PIGMENT
AND APPLIED TO THE LASH LINE.
GOLDEN LEMON PIGMENT – BLENDED ONTO THE
INNER AND OUTER CORNERS OF THE EYES.
I GET NO KICK EYE KOHL (AVAILABLE 2011) – DRAWN ONTO
THE WATERLINES OF THE EYES.


LIP
M·A·C PRO LIP ERASE IN DIM – APPLIED AS A BASE TO THE LIPS.
M·A·C PRO ROSE GOLD METAL PIGMENT AND
GOLDEN LEMON PIGMENT – LAYERED OVER LIP ERASE FOR GOLDEN LIPS.


FACE.
STUDIO SCULPT FOUNDATION – TO PERFECT THE SKIN
WITH AN EGGSHELL FINISH.
PREP + PRIME TRANSPARENT FINISHING POWDER –
BRUSHED DOWN THE T-ZONE.
QUARRY EYE SHADOW – CONTOURING THE CHEEKBONES AND TEMPLES.
PEARL CREAM COLOUR BASE – HIGH ON THE CHEEKBONES.

NYFW September 13th - MAC Cosmetics Face Charts

RAD HOURANI
“IT’S ALL ABOUT FRESH, GROOMED SKIN, LIKE THE GIRLS
JUST STEPPED OUT OF THE SHOWER.”
HUNG VANGO


EYE
BRULE EYE SHADOW – LIGHTLY DUSTED ONTO THE EYELIDS
FROM LASH LINES TO BROWS.


LIP
DIM LIP ERASE – LIGHTLY PATTED ONTO THE LIPS
TO GENTLY TAKE SOME OF THE COLOUR DOWN.


FACE
STUDIO MOISTURE FIX – TO MOISTURIZE THE SKIN.
STUDIO SCULPT FOUNDATION – FOR FLAWLESS SKIN.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO MINIMIZE SHINE IN THE T-ZONE.
HUSH CREAM COLOUR BASE – APPLIED AS A HIGHLIGHT
ON THE CHEEKBONES.

MONIQUE LHUILLIER
“IT’S A 1950S AUDREY HEPBURN LOOK WITH AN AERODYNAMIC
BEAUTIFUL EYE LINER. VERY HAUTE COUTURE AND RED CARPET,
SLIGHTLY DEBUTANT WITH GILDED LILACS ON THE EYE LID,
LINER AND A DELICATE SOFT, PINK GLOSSED LIP.”
VAL GARLAND


EYE
DIGIT AND VELLUM EYE SHADOWS – LAYERED ONTO THE EYELIDS.
CRYSTAL EYE SHADOW – THROUGH THE CREASE OF THE EYELIDS
WITH A LAYER OF IDOL EYES EYE SHADOW APPLIED WET ON TOP.
WOODWINKED EYE SHADOW – PLACED ON THE INNER CORNERS
OF THE EYELIDS.
BLACKTRACK FLUIDLINE – LINING THE EYES IN A
WINGED OUT SHAPE.
41 LASHES – CUT IN HALF AND APPLIED TO THE
OUTER CORNERS OF THE EYES.


LIP
VIVA GLAM GAGA LIPGLASS – PATTED ONTO THE LIPS.


FACE
FACE AND BODY FOUNDATION – APPLIED AS A BASE.
BAMBOO CREAM COLOUR BASE – BLENDED ONTO THE CHEEKS.
SHELL CREAM COLOUR BASE – TO HIGHLIGHT THE CHEEKBONES.

CAROLINA HERRERA
“THE INSPIRATION WAS TRADITIONAL KOREAN COSTUME, FLORAL
PRINTS OR PHOTOGRAPHS OF FLOWERS WHICH LEAD US TO
CREATE A BRICK COLOURED EYE.”
DIANE KENDAL


EYE
BRICK LIP PENCIL – BLENDED FROM THE LASHLINE TO THE
CREASE OF THE EYELIDS, DIFFUSED OUT TOWARD THE OUTER
CORNERS OF THE EYES.
ANTIQUED EYE SHADOW – TAPPED ON TOP OF THE DIFFUSED PENCIL
TO EXTEND THE SHAPE OF THE EYE IN A HORIZONTAL DIRECTION.
DIVA LIPSTICK – ADDED TO THE INNER AND OUTER CREASE OF THE
EYELIDS FOR SOFT DEFINITION.
BLACK HAUTE AND NAUGHTY MASCARA – APPLIED TO HEAVILY
CURLED LASHES.


LIP
SUGAR RIMMED DAZZLEGLASS – APPLIED WITH A 231 BRUSH.


FACE
STUDIO FINISH CONCEALER – APPLIED WHERE NEEDED.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO MINIMIZE SHINE IN THE T-ZONE.
PINCH ’O PEACH POWDER BLUSH – ADDED TO THE APPLES OF THE
CHEEKS, COMPLETELY DIFFUSED OUT IN A SUNBURST EFFECT.
DONNA

DONNA KARAN
“THE INSPIRATION FOR THE LOOK WAS 1930S PHOTOGRAPHS –
A COMBINATION OF BRONZE & GOLD ON THE EYES WITH
A VERY MATTE SKIN.”
CHARLOTTE TILBURY


EYE
INDIANWOOD PAINT POT – BUFFED OVER THE EYELIDS
UP THROUGH THE CREASE AND ALONG THE
LOWER LASH LINES IN A 1930S SHAPE.
M·A·C PRO GOLD PIGMENT – BRUSHED THROUGH
THE CREASE OF THE EYELIDS.
M·A·C PRO GLOSS TEXTURE – PATTED OVER THE EYELIDS.


LIP
M·A·C PRO LIP ERASE IN DIM – TOUCHED ONTO THE LIPS.


FACE
FACE AND BODY FOUNDATION – APPLIED AS A SHEER BASE.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO MINIMIZE SHINE IN THE T-ZONE.

Backstage Video: Hair, Makeup, and Nails at Marc Jacobs

via: NY Mag

NYFW September 12th - MAC Cometics Face Charts

BEHNAZ SARAFPOUR
“A GIRL ON HOLIDAY IN INDIA, A SERENE, PEACEFUL VACATION.
IT’S SOFT MAKEUP, INSPIRED BY NATURE. THE WAY YOU LOOK WHEN
YOU ARE REALLY RELAXED AND SURROUNDED BY BEAUTIFUL THINGS.”
GORDON ESPINET


EYE
DALLIANCE MEGA METAL SHADOW (AVAILABLE 2011) –
BLENDED ONTO THE LIDS AND ALONG THE LOWER LASH LINE.
I GET NO KICK EYE KOHL (AVAILABLE 2011) –
DRAWN ONTO THE WATERLINES.


LIP
SUPREMELY CONFIDENT SHEEN SUPREME LIPSTICK –
APPLIED TO THE LIPS.


FACE
FACE AND BODY FOUNDATION – FOR SHEER COVERAGE
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO SET FOUNDATION.
GIVE ME SUN! M·A·C BRONZING EVERYDAY (AVAILABLE 2011) –
APPLIED TO THE CHEEKS AND BRUSHED UP FROM THE
BROW BONES OVER THE TEMPLES.

DIANE VON FURSTENBERG
“THE LOOK IS BASED ON ANDY WARHOL’S SILKSCREEN OF
DIANE’S LIPS – ITS AN ICONIC IMAGE FOR DVF.”
JAMES KALIARDOS
EYE
PEARL CREAM COLOUR BASE – TOUCHED ONTO THE CENTERS
OF THE EYELIDS AND THE TEAR DUCTS.
SCULPT AND SHADESTER M·A·C PRO SCULPTING POWDERS –
TO CONTOUR THE CREASE OF THE EYELIDS.


LIP
M·A·C PRO PROCESS MAGENTA CHROMAGRAPHIC PENCIL –
LINING AND FILLING IN THE LIP.
MAGENTA MADNESS PIGMENT – BRUSHED OVER THE PENCIL
FOR A NEON PINK MATTE LIP.


FACE
STUDIO SCULPT FOUNDATION – FOR MATTE PERFECTED SKIN.
MINERALIZE SKINFINISH NATURAL – TO SET FOUNDATION.
SCULPT AND SHADESTER M·A·C PRO SCULPTING POWDERS –
TO CONTOUR THE CHEEKS AND TEMPLES.
PEARL CREAM COLOUR BASE – HIGHLIGHTING THE
CHEEKBONES AND THE CENTER OF THE NOSE.

ERIN FETHERSTON
“THE COLLECTION IS ALL ABOUT A ’70S COCKTAIL PARTY SO THE
LOOK IS GIRL ON HOLIDAY, QUITE FLUSHED AND HOT, JUST OFF THE
BEACH AND PUTTING ON A BIT OF MAKEUP BEFORE THE PARTY.”
LUCIA PICA


EYE
M·A·C GLOSS TEXTURE – PATTED ONTO EYELIDS FOR A SLIGHT
SHEEN.
ZOOM BLACK MASCARA – APPLIED TO TOP AND BOTTOM LASHES.


LIP
SO CHAUD LIPSTICK – PATTED ON, NOT REALLY DEFINED,
FOR MATTE ORANGE LIPS.


FACE
SELECT MOISTURECOVER CONCEALER – APPLIED ONLY
WHERE NEEDED.
M·A·C PRO GLYCERIN SPRAY – TO ACHIEVE THAT “JUST OUT OF THE
SUN” SHEEN ON THE HIGH PLANES OF THE FACE AND CHEEKS.
M·A·C PRO BROWN CREAM COLOUR BASE – BLENDED
INTO THE CHEEKS FOR A NATURAL FLUSH.
CARE BLENDS ESSENTIAL OILS – BUFFED OVER THE CHEEKS
TO ADD TO THE SHEEN.

PREEN
“THE COLORS OF THE MAKEUP ARE INSPIRED BY EGYPT, THE COLORS
OF THE SAND. THE CLOTHES HAVE BEAUTIFUL PALE BLUES AND
LAVENDERS SO WE’RE DOING A LITTLE BLUE ON THE EYE AS WELL.
VERY CATHERINE DENEUVE, BUT SUPER MINIMAL.”
JAMES KALIARDOS


EYE
LITE BRITE CREAMSHADOW (AVAILABLE 2011) –
HIGHLIGHTING THE INNER CORNERS OF THE EYELIDS.
SWELL BABY SHADOW (AVAILABLE 2011) –
BRUSHED THROUGH THE CREASE OF THE EYELIDS.
M·A·C PRO NC15/NW20 CHROMAGRAPHIC PENCIL –
DRAWN ALONG THE WATERLINES.


LIP
SUPER KISSABLE LIP COLOUR – PRESSED ONTO THE LIPS.


FACE
FACE AND BODY FOUNDATION – BLENDED ONTO THE SKIN.
PREP + PRIME TRANSPARENT FINISHING POWDER –
TO SET FOUNDATION.
GIVE ME SUN! M·A·C BRONZING EVERYDAY (AVAILABLE 2011) –
BLENDED ONTO CHEEKS.
PEARL CREAM COLOUR BASE – TO HIGHLIGHT THE CHEEKBONES.

NYFW September 11th - MAC Cosmetics Face Charts

ALTUZARRA
“THE COLLECTION IS VERY STRONG, TRIBAL, AND AMAZON
SO WE DECIDED TO GO FOR NUDE, MATTE SKIN AND
STRONG CONTOURS TO CREATE A TRUE DYNAMIC.”
TOM PECHEUX

EYE
M·A·C PRO SCULPTING POWDERS IN SHADESTER,
SCULPT AND DEFINITIVE – APPLIED WITH A 222 BRUSH
TO SCULPT FROM THE INNER CORNER
OF THE EYES UP TO THE BROW BONES.

LIP
M·A·C PRO SCULPTING POWDERS IN SHADESTER,
SCULPT AND DEFINITIVE – PATTED ONTO THE LIPS WITH
A 242 BRUSH FOR A NUDE, MATTE LIP.

FACE
CARE BLENDS ESSENTIAL OILS MIXED WITH
FACE AND BODY FOUNDATION – TO PERFECT THE SKIN.
MINERALIZE SKINFINISH NATURAL MIXED WITH
PREP + PRIME TRANSPARENT POWDER – TO SET THE FOUNDATION.
M·A·C PRO SCULPTING POWDERS IN SHADESTER, SCULPT
AND DEFINITIVE – TO CONTOUR THE CHEEKS AND TEMPLES AND NECK.

PRABAL GURUNG
“THE COLLECTION IS VERY RICH AND FULL ON, ALL ABOUT THE
ARCHITECTURE OF THE CLOTHES TO THE SILHOUETTE SO THE FACE
IS PURE, SOFT BUT GRAPHIC – PLAYING WITH TEXTURES IN WHITE.”
TOM PECHEUX

EYE
M·A·C PRO PURE WHITE PAINTSTICK –
BLENDED ON THE TO EYELIDS AS A BASE.
GESSO EYE SHADOW LAYERED WITH FASCINATING EYE KOHL –
TO CREATE A “MATTE WHITE LID.”

LIP
M·A·C PRO LIP ERASE IN DIM –
TO MAKE LIPS THE SAME BASE COLOUR.
SUPREMELY CONFIDENT SHEEN SUPREME LIPSTICK –
LAYERED OVER LIP ERASE TO GIVE A “TRUE SENSUALITY
TO THE LIPS.”

FACE
SELECT MOISTURECOVER CONCEALER – APPLIED AS NEEDED.
MINERALIZE SKINFINISH NATURAL – LIGHTLY APPLIED TO
EVEN OUT THE SKIN TONE.
SILVER DUSK IRIDESCENT POWDER LOOSE, PINK OPAL AND WHITE
PIGMENTS – WRAPPED AROUND THE TEMPLES FROM JUST ABOVE
BROW ARCH TO JUST UNDER THE PUPILS AND ON THE CHEEKBONES
TO CREATE A WHITE OPALESCENT GLOW. THIS ALSO SOFTLY
SCULPTED THE FACE AND REPLACED THE DIMENSION LOST WHEN
FOUNDATION WAS APPLIED.

ALEXANDER WANG
“THE LOOK IS ALL ABOUT THE DOWNTOWN ART SCENE – THE HAIR
IS QUITE COMPLEX SO WE DECIDED TO KEEP THE FACE
REALLY FRESH AND YOUNG.”
DIANE KENDAL

EYE
BROWS WERE BLEACHED.

LIP
LIP CONDITIONER – PATTED ONTO LIPS AND BLOTTED.

FACE
STUDIO MOISTURE FIX SPF 15V –
MASSAGED INTO THE FACE FOR FRESH MOISTURIZED SKIN.
SELECT MOISTURE COVER CONCEALER –
APPLIED WHERE NEEDED TO UNDER EYES OR IMPERFECTIONS.

NYFW September 10th - MAC Cosmetics Face Charts

COSTELLO TAGLIAPIETRA

“A MODERN MIA FARROW FROM THE MOVIE
THE GREAT GATSBY WHICH WAS SET IN THE 1920S.”
LISA BUTLER


EYE
ROOT CREAM COLOUR BASE –
DIFFUSED OVER THE EYELIDS FROM LASH LINE TO BROWS.
COAL BLACK PRO LASH MASCARA –
APPLIED TO TOP AND BOTTOM LASHES.


LIP
BRIT WIT BLUSH CRÈME AND
VINTAGE ROSE CREAM COLOUR BASE –
THICKENED WITH CONCEALER PATTED ONTO THE LIPS.


FACE
BRIT WIT BLUSHCREME AND
VINTAGE ROSE CREAM COLOUR BASE –
BLENDED ONTO THE CHEEKS
FOR A TRANSLUCENT NATURAL FLUSH.

DOO.RI

“SHE’S A FADED GIRL-DISCREET AND WASHED OUT
WITH JOYFUL BUT MINIMAL COLOUR.”
TOM PECHEUX

EYE
WASHED OUT CREAMSHADOW (AVAILABLE 2011) –
BLENDED OVER THE EYELIDS.
ASH BLONDE STUDIO FINISH SKIN CORRECTOR (AVAILABLE 2011) –
APPLIED TO THE INNER CORNERS OF THE EYES.
DERAILED CREAMSHADOW (AVAILABLE 2011)
AND OCHRE STUDIO FINISH SKIN CORRECTOR –
BUFFED INTO THE OUTER CORNERS OF THE EYELIDS
AND LOWER LASH LINE.


LIP
ASH BLONDE STUDIO FINISH SKIN CORRECTOR (AVAILABLE 2011) –
PATTED ONTO THE LIPS.
OCHRE STUDIO FINISH SKIN CORRECTOR (AVAILABLE 2011) –
TOUCHED INTO THE CENTER OF THE LIPS.

FACE

FACE AND BODY FOUNDATION – APPLIED FOR NATURAL

AND PERFECTED SKIN.

PROLONGWEAR CONCEALER – APPLIED WHERE NEEDED.

PETER SOM


“WE TOOK THE ICONIC ’60S EYELINER BUT MADE IT FRESH
BY DOING IT IN YELLOW INSTEAD OF CLASSIC BLACK.”
TOM PECHEUX


EYE
M·A·C PRO PRIMARY YELLOW CHROMALINE –
BRUSHED ON IN A PRECISE ’60S SHAPE
WITHOUT THE OUTER CORNER WING.


LIP
SO VAIN KISSABLE LIPCOLOUR (AVAILABLE 2011) –
PATTED ONTO THE LIPS.




FACE
FACE AND BODY FOUNDATION –
APPLIED TO EVEN OUT THE SKIN TONE IN A SHEER WAY.
MINERALIZE SKINFINISH NATURAL –
TO SOFTLY SCULPT THE FACE AND REPLACE
THE DIMENSION LOST WHEN FOUNDATION WAS APPLIED.

NYFW - Alexander Wang - Spring Summer 2011 Full Fashion Show

Omg, I love him so much. He is a genius. I want EVERYTHING.

Love, love, love and LOVE.

NYFW September 9th - MAC Cosmetics Face Charts

VENA CAVA
“THE LOOK IS FULL GLAMOUR – MICHELLE PFEIFFER
FROM SCARFACE 1983.”
CHRISTIAN MCCULLOCH


EYE
CONTRAST, PRUSSIAN AND SHADOWY LADY EYE
SHADOWS – BLENDED TOGETHER AND PULLED OUT
FROM THE CENTER OF THE EYE ALONG THE CREASE AND
LOWER LASH LINES FOR A BLUE GRAY SMOKY EYE.
DALLIANCE MEGA METAL SHADOW (AVAILABLE 2011) –
TO HIGHLIGHT THE INNER CORNERS OF THE EYELIDS.
DANGEROUS CUVEE PAINT POT (AVAILABLE 2011) –
BLENDED TOGETHER ON THE CENTER OF THE EYELIDS.
HAUTE AND NAUGHTY LASH IN BLACK – TWO COATS
.APPLIED TO BOTH THE UPPER AND LOWER LASHES.


LIP
SUBCULTURE LIP PENCIL – FILLING IN THE LIPS.
MORANGE LIPSTICK – PATTED OVER THE LINER FOR
AN ORANGEY RED STAIN.


FACE
M·A·C PRO CHERCHE BLUSHCREME AND M·A·C PRO
SHADESTER SCULPTING POWDER – CONTOURING JUST
BENEATH THE CHEEK BONES.

RUFFIAN
“SHE’S AN AMERICAN EX-PAT ADAPTING TO THE FRENCH CULTURE.
IT’S A NEUTRAL PALETTE BUT THE GOLD MAKES IT GLAMOROUS.”
JAMES KALIARDOS


EYE
PEARL CREAM COLOUR BASE – BLENDED OVER THE EYELIDS.
CENTRE STAGE MEGA METAL SHADOW (AVAILABLE 2011) AND M·A·C
PRO ROSE GOLD METAL PIGMENT – BLENDED THROUGH THE CREASE
OF THE EYE AND WINGED OUT TOWARD THE TEMPLES.
GOLDEN LEMON PIGMENT – PLACED IN THE CENTER OF THE LID, AND
SMUDGED ONTO THE INNER AND OUTER CORNERS OF THE EYES.
I GET NO KICK EYE KOHL (AVAILABLE 2011) – DRAWN ONTO THE
LOWER WATER LINES OF THE EYE LIDS.
# 33 LASHES – APPLIED TO TOP LASHES ONLY AND BLENDED WITH
PLUSHBLACK PLUSH LASH MASCARA.


LIP
M·A·C PRO DIM LIP ERASE – TONING DOWN THE NATURAL COLOUR OF
THE LIPS.
SO VAIN KISSABLE LIPCOLOUR (AVAILABLE 2011) – BLENDED OVER
LIP ERASE WITH A LIP BRUSH.


FACE
LADY BLUSH BLUSHCREME – BLENDED HIGH ON THE CHEEKS.
REFINED DEEPER BRONZE BRONZING POWDER – APPLIED TO THE
TEMPLES AND THE CHEEKS AS A CONTOUR.
GOLDEN LEMON PIGMENT – TOUCHED ONTO CHEEKBONES AS A
HIGHLIGHT.
LIP ERASE WITH A LIP BRUSH.

Jessica Stam for Rachel Roy

Jessica Stam is adding another talent to her resume. Best known as a model, Stam will be putting pen to paper and designing a capsule collection as a part of the Rachel by Rachel Roy diffusion line. Stam's collection will be small containing jeans, cardigan and a bag. Her work will be unveiled in September at New York Fashion Week, one month before it debuts in Macy's in October.

MAC Cosmetics - A/W '10 Recap

M·A·C COSMETICS’ BIGGEST SEASON EVER: FALL/WINTER 2010 FASHION WEEKS



This Fall/Winter 2010 season marked the 15th Anniversary of M·A·C Cosmetics involvement in New York Fashion Week and our impact in London , Paris and Milan was bigger than ever before! M·A·C Cosmetics supported nearly 200 shows during the Fall/Winter 2010 Collections. M·A·C continued as the official sponsor of London Fashion week, had a strong presence in Milan and Paris, and hosted shows, events and presentations at M·A·C & Milk and throughout New York.



Fall/Winter 2010 was an inventive and inspiring season for beauty. This season, Makeup Artists asked the question: “What is luxurious makeup?” The answer was not opulence, but, rather, a sense of individual enhancement based in reality. Lyne Desnoyers, Director of Makeup Artistry for M·A·C, called it “flirting with luxury on a contemporary face.”



A few memorable products that created the latest trends include:



M·A·C Opulash This new mascara with a supersized brush produced plush, extravagant lashes on the runway. Adding dramatic volume and curl, it formed lush lashes - bigger, badder, more opulent eyes. Opulash was key in such shows as DSquared2, Blumarine, Max Mara and Chado Ralph Rucci.


M·A·C Prolongwear SPF 10 Foundation: Creamy and lightweight, this yet-to-be-introduced foundation was a hit! Providing ample playtime and easy blending, it also demonstrated 15-hours of wearability and garnered raves backstage at Chado Ralph Rucci, PORTS 1961 and Timo Weiland.


M·A·C Eye Kohl in Smolder A backstage essential, Smolder Eye Kohl lined lids throughout all four cities. Its creamy texture and versatility allowed for smudged, smokey looks as well as dramatic, etched dark definition. It framed eyes at such shows as L.A.M.B., Zac Posen, Tadashi Shoji and Vivienne Westwood Gold Label.


M·A·C Lip Pencil in Cherry: Forget subtlety – this season, bold, bright lips were front and center. Lip Pencil in Cherry was the crucial ingredient, forming, priming and making colour come forward. Paired most often with Lady Danger and Russian Red Lipsticks, it was seen at DSquared2, Doo.Ri, Donna Karan and Moschino.

A/W '10 MAC Cosmetics Face Charts February 18th

Eyes:
Eye Shadow in Vanilla – washed over the eyelid and into the crease of the eye
Select Cover-Up Concealer – applied to the lashes and brow to mute natural colour
FACE :
Select Cover-Up Concealer and Careblends Essential Oil – blended together
and applied to the skin
Prep + Prime Transparent Finishing Powder – dusted onto the skin to set the foundation
Cream Colour base in Pearl – lightly brushed along the cheekbones to contour
Lip:
Lip Pencil in Soar and Oak – blended together and smudged into the lip
Powder Blush in Tenderling – applied onto the lip to give a soft, matte finish




Eyes:
Mascara X in Black X – applied to the top and bottom lashes
Powerpoint Eye Pencil in Grey Utility – penciled onto the inner waterline
Lip Treatment – dabbed onto the eyelid using fingertips
FACE :
Face and Body Foundation and Strobe Liquid – blended together
and applied to the skin
Eye Shadow in Nylon – applied to the highest point of the cheekbone in
the shape of an upside down L to highlight
Lip:
Lip Conditioner SPF 15 – dabbed onto lip to moisturize



Eyes:
Eye Kohl in Powersurge and M·A·C Pro Cream Colour Base in Dark Brown
– penciled and blended into the eyelid and under the lower lash line
Studi o Finish Skin Corr ector in Deep Br own – applied and blended into
the eyelid and under the lower lash line
Crème Liner in Black – penciled very thinly along the top
lash line and the outer corner of eye
Gloss Texture – dabbed and blended below the lower lash line
FACE :
Studio Sculpt SPF 15 Foundation – applied to the face for a light coverage
Lipstick in Diva and Russian Red – blended and applied to the apple area of the cheek
Lip:
Lipstick in Cunning – applied to the lip

A/W '10 MAC Cosmetics Face Charts February 17th

Eyes:
Eye Shadow in Vanilla and M·A·C Pro Pigment in White – layered onto the eye lid
Eye Pencil in Ebony and Fluidline in Blacktrack – applied pencil thin below the lower lash line and
along the crease of the eyelid, winged out and connected to the outer corner of the eye
Eye Shadow in Carbon – layered over the eyeliner to set
FACE:
Face and Body Foundation – applied to the entire face
Sculpting and Shaping Powder – applied to the cheekbones to contour
Lip:
Lip Erase in Dim – pressed into the centre of the lip with the fingertip to mute the natural colour
Lip Pencil in Stripdown – penciled around the mouth for an overdrawn , fuller lip
Lipstick in To Pamper (Available Fall 2010) – lightly washed over the lip



Eyes:
Cream Colour Base in M·A·C Pro Dark Brown – applied under the eye ,
into the crease of the eyelid and at the top of the lash line
and blended with a M·A·C 252 Brush
Gloss Texture – dabbed onto the eyelids
FACE:
Studio Finish Concealer– applied where needed
Blot Powder – used to set the foundation and give the skin a matte finish
Studio Finish Concealer in NC50 – applied to the cheekbones to
contour using a M·a·c 190 Brush
Lip:
Lipstick in Charred Red and Eye Shadow in Carbon – blended together
and applied, with more intensity in the centre of the lip

Victoria Beckham A/W '10 Dress Collection

As I am sure you all know by now, I love Victoria Beckham. She is the definition of fabulousity. I am so happy that she designs now, because her work is so great. Her dresses are chic, classy and best of all, classic. Her A/W ’10 collection did not disappoint fashion lovers at New York Fashion Week this year. I have picked out a few from her collection that I absolutely love.

A/W '10 MAC Cosmetics Face Charts February 16th

Eyes:
Eye Shadow in Quarry - applied under the eye and to the eyelid
and diffused up to the brow using a M·A·C 213 Brush
Eye Shadow in Silver Ring - layered over the Quarry
Pigment in Pink Opal - applied to the outer brow bone to highlight
FACE:
M·A·C Pro Face and Body Foundation in White - applied all
over the face for a pale, sheer finish
Eye Shadow in Quarry - lightly washed across the jaw-line to sculpt and contour
Pigment in Kitchmas - pressed into the cheekbone to highlight
Lip:
Lipstick in Hipster - applied all over the lips and blotted
Lipstick in DuBonnet - layered softly over Hipster onto the centre of the lip



Eyes:
Lip Pencil in Stripdown – penciled and blended into the crease of
the eyelid and below the eye using a M·A·C 194 Brush
Iridescent Powder in Silver Dusk and M·A·C Pro Studio Finish Face Powder in Gold
– blended together using Mixing Medium Water Base and applied along the top and
bottom lash line and blended into the Stripdown Lip Pencil
FACE:
Face and Body Foundation – applied as needed
Blushcreme in Posey and Laid Back – applied to the apples of the cheek
Cream Colour Base in Shell – layered onto the top of the cheekbones
Lip:
Lipstick in Amorous – pressed into the lip with the fingertip to create a lip stain



Eyes:
Fluid line in Blacktrack – layered along the upper
and lower lash line and winged out
Eye Kohl in Smolder - penciled into the upper and lower lash line
FACE:
SELECT MoistureCover Concealer – applied where needed
Lip:
Lipstick in Fleshpot and Myth – blended together and
pressed into the lip with fingertip

A/W '10 MAC Cosmetics Face Charts February 15th

Eyes:
Eye Pencil in Smolder - applied and smudged around the
waterline of the eye using a M·A·C 239 Brush
Studio Fix Lash Mascara in Black Fix - applied to top and bottom lashes
Creme Liner in Black and Mixing Medium Water Base - placed horizontal
strokes in the crease of the eyelid and the same below
the eye with stronger strokes in the centre
FACE:
Face and Body Foundation - applied to entire face
Studio Finish Skin Corrector - applied where needed
Cream Colour Base in Shell - applied to the centre of the cheekbone
Lip:
Lipstick in Hipster - applied all over the lips and blotted
Lipstick in DuBonnet - layered softly over Hipster onto the centre of the lip



Eyes:
Lip Pencil in Nightmoth - penciled and blended along
the rim of the eye and the crease of the eyelid
M·A·C Pro Eye Shadow in Indian Ink - washed across the crease
of the eyelid and around the upper and lower lash line
Eye Shadow in Vibrant Grape - layered onto the eyelid and crease of the eye
Mineralize Eye Shadow (Duo) in My Dark Magic (Available Fall 2010) - brushed onto
the eyelid and into the crease of the eye
Zoom Mascara in Zoomblack - applied to top and bottom lashes
FACE:
Face and Body Mixing Medium - applied to the entire face
Blot Film - to blot any excess shine
Mineralize Foundation SPF15 - layered over the Mixing Medium
Prep + Prime Transparent Finishing Powder - lightly brushed over
the skin to set the foundation
Lip:
Lipglass in Docile (Available Fall 2010) - applied to the lip




Eyes:
M·A·C Pro Cream Colour Base in Airforce Blue - applied to the crease of the eyelid
Lip Treatment - dabbed onto the eyelid for shine
Eye Kohl in Fascinating and Eye Pencil in Fleshtone - penciled into
the waterline of the eye
FACE:
Face and Body Foundation - applied to the entire face
Select Cover-Up Concealer - applied where needed
Lip Treatment - dabbed along the cheekbone to highlight
Lip:
Lip Pencil in Cherry - lining the lip to give a defined shape to the mouth
Lipstick in Ruby Woo and M·A·C Pro Lipmix in Burgundy
- blended together and applied to the lip



Eyes:
Studio Sculpt SPF 15 Foundation - brushed through the lashes with
a mascara wand to mute the natural colour
FACE:
Fast Response Eye Cream - applied below the eye
to moisturize and refresh the skin
Studio Sculpt SPF 15 Foundation - applied to the skin
to create a flawless matte finish
Prep + Prime Transparent Finishing Powder - brushed over
the skin to set the foundation
Lip:
Lip Erase in Dim or Pale - applied to the lip to mute the natural colour



Eyes:
Eye Kohl in Teddy - penciled into the inner corner of the eye
Paint Pot in Quite Natural - applied to the eyelid and blended up into the brow
Zoom Fast Masca ra in Zoomblac k - brushed through top and bottom lashes
FACE:
Full Coverage Foundation and Strobe Cream - blended to gether
and applied to the entire face for a sheer finish
Paint Pot in Quite Natural and Blushcreme in Brit Wit
- washed over the cheekbone to contour
M·A·C Pro Cream Colour Bae in Madly Magenta - brushed through
the cheekbones and temple to highlight face
Lip:
Lip Penci l in Spice - penci led lightly onto the bottom lip line
and softly blended with the fingertips
Lip Conditioner - dabbed onto the lips to moisturize
Lipglass in Jealous - applied to the lip

Herve Leger Fall 2010

Yum.

via Monica Rose

A/W '10 MAC Cosmetics Face Charts February 14th

Eyes:
Pearlglide Intense Liner in Black Line (Available April 2010) – smudged into
the eyelid and the lower lash line
FACE:
Face and Body Foundation – applied to the entire face for a light, sheer finish
Prep + Prime TRANSPARENT FINISHING Powder – lightly brushed over the foundation to set
Powder Blush in Fleur Power, Prism or Mocha – brushed across
the cheekbones to contour
Lip:
Lip Conditioner (Tube) – applied to the lip for moisture




Eyes:
Cream Colour Base in Tint, Dusk (Pro Only) and Fawntastic - applied to
the inner brow corner where needed
Techna kohl Eye Liner in Plank - used to line the lower lash line
FACE:
Full Coverage Foundation and Strobe Cream - blended together and
applied to entire face for a sheer coverage
Lip:
Lipstick in Lady Danger - applied inside the natural
lip line for an angular shape




Eyes:
M·A·C Pro Crème Liner in Black – applied to the eye area, eyelid to brow bone
M·A·C Pro Pigment in Corn Flower – brushed out from the inner eye corner
on the upper lash line using a M·A·C 213 Brush
M·A·C Pro Pigment in Steel Blue – brushed out from the inner eye corner
on the lower lash line using a M·A·C 213 Brush
M·A·C Pro Glitter in 3D Silver – layered over the pigment in the
inner corner of the eye
Zoom Lash Mascara in Zoomblack – copiously applied to the lash
Ey e Kohl in Smolder – to line the lower inner rim of the eye
FACE:
Studio Sculpt Foundation – applied to the entire face,
for natural yet flawless skin
SELECT MoistureCover Concealer – applied where needed
Shading Powder in Sculpt and Lightsweep – lightly brushed along
the cheekbones and temple area
Prep + Prime Transparent Finishing Powder – swept across the skin
to set the foundation for a matte face
Lip:
M·A·C Pro Lip Erase in Dim – applied to the lip



Eyes:
Lipstick in The Prowl (Available Fall 2010) – washed over the eyelid
with a M·A·C 217 Brush for a shiny texture
Lip Conditioner (Tube) – dabbed into the inner corners of the eye to highlight
FACE:
Careblends Essential Oil – massaged into the skin
Mineralize All-Over Lotion and Stud io Moisture Tint Foundation
– blended to gether and applied to the entire face for a dewy skin finish
Lipstick in Kittenish (Available Fall 2010) – dabbed onto the cheeks with
fingers and massaged along the cheekbone
Lip:
Lipstick in Kittenish (Available Fall 2010) – sparingly appllied to
the inner lip with the point of the lipstick