LFW September 22nd - MAC Cosmetics Face Charts

ALBERTA FERRETTI
“THE INSPIRATION IS A WOODLAND NYMPH - YOUNG, FRESH AND ECO-FRIENDLY.”
LUCIA PIERONI


EYE
JUXT EYE SHADOW AND VANILLA PIGMENT – APPLIED WITH FINGERS IN A C-SHAPE
AROUND THE OUTER CORNERS OF THE EYES.


LIP
MYTH LIPSTICK – PATTED ONTO THE LIPS.


FACE
MEDIUM DEEP MINERALIZE SKINFINISH NATURAL – APPLIED LIGHTLY TO THE CHEEKS
AND THE BRIDGE OF THE NOSE FOR A HEALTHY BRONZE.

Nº 21
“THE LIGHTNESS OF THE CLOTHES INSPIRED THE MAKEUP LOOK.”
LISA BUTLER


EYE
M·A·C PRO DEEP BROWN STUDIO FINISH SKIN CORRECTOR – SMUDGED ON AND
UNDER THE LASH LINES.
SMOLDER EYE KOHL – BLENDED INSIDE WATER LINES OF THE EYES.
TEDDY EYE KOHL – APPLIED OVER THE SMOULDER.
POWERSURGE EYE KOHL – SMUDGED ALONG THE INNER CORNERS.
COAL BLACK PRO LASH – APPLIED TO THE UPPER AND LOWER LASHES.


LIP
SHY GIRL LIPSTICK – PATTED ONTO THE LIPS.
SUPREMELY CONFIDENT SHEEN SUPREME LIPSTICK (AVAILABLE 2011) – APPLIED OVER
THE LIPSTICK.


FACE
SELECT MOISTURECOVER CONCEALER – WHERE NEEDED.

LFW September 21st - MAC Cosmetics Face Charts

JONATHAN SAUNDERS
“IT’S REMINISCENT OF AN ALAN JONES PAINTING…SHE’S GOT GORGEOUSLY GLOWING
WAXEN SKIN AND A LOUBOUTIN RED LIP THAT’S QUITE NEWTON-ESQUE.”
LUCIA PIERONI


EYE
TEXTURE EYE SHADOW – IN THE SOCKETS, BLENDED IN WITH FINGERS.
VANILLA PIGMENT – BLENDED UNDER BROW BONES AND CHEEKBONES WITH FINGERS.
COPPERPLATE AND OMEGA EYE SHADOWS – APPLIED WITH A 239 BRUSH TO CREATE
FULL ROUNDED BROWS.


LIP
CHERRY LIP PENCIL – TO CREATE A ROUNDED LIP THAT’S GENTLY FADED
AROUND THE EDGES.
RUBY WOO LIPSTICK – FOR A VERY MATTE RED LIP THAT’S INTENSIFIED IN THE CENTRE.


FACE
FACE AND BODY FOUNDATION – WHERE NEEDED.
SELECT SHEER/LOOSE POWDER – DUSTED ON THE T-ZONE.

LFW September 20th - MAC Cosmetics Face Charts

CHRISTOPHER KANE
“IT’S PRINCESS MARGARET ON ACID! I’M CHANELLING CAMILLA RUTHERFORD IN
‘GOSFORD PARK’ – GIRLS WHO ARE TERRIBLY WELL BRED, BUT A LITTLE BIT CRAZY.”
LUCIA PIERONI


EYE
BLACKTRACK FLUIDLINE – A TRACE AT THE BASE OF THE UPPER LASHES FOR DEFINITION.
CURLED LASHES, NO MASCARA.
COQUETTE OR OMEGA EYE SHADOW – TO GROOM IN A THIRTIES FEELING BROOKE
SHIELDS BROW, VERY BRUSHED UP AND THICK.


LIP
LIP CONDITIONER – PATTED ONTO THE LIPS.


FACE
STUDIO MOISTURE FIX SPF 15 – MASSAGED INTO SKIN.
SELECT MOISTURE COVER CONCEALER – WHERE NEEDED.
PINCH O’ PEACH POWDER BLUSH – ON THE APPLES OF THE CHEEKS FOR
A RIPE PEACHY FLUSH.

ERDEM
“THIS IS WEIGHTLESS, EFFORTLESS MAKEUP INSPIRED BY WOODLAND FAIRIES AND NYMPHS...THERE’S AN INNOCENCE ABOUT IT. IT FEELS POETIC.”
ANDREW GALLIMORE


EYE
BLONDE ASH STUDIO FINISH SKIN CORRECTOR – APPLIED ONTO THE LID IN A SOLID
BLOCK OF COLOUR. USING A 224 BRUSH, IT WAS THEN BLENDED OUT, BUT NOT UP.
NO EDGES! ALSO APPLIED TO LOWER LASH LINE FOR DEFINITION USING A 226 BRUSH.
SOFTENED WITH A 239 BRUSH.


LIP
SELECT MOISTURECOVER CONCEALER – SPARINGLY PATTED ON UPPER AND LOWER LIPS
OVER LIP CONDITIONER.


FACE
FACE AND BODY FOUNDATION – BUFFED ONTO SKIN USING A 130 BRUSH.
POSEY BLUSHCREAM – APPLIED ONTO CENTRE OF CHEEKS TO ADD A FLUSH.
SELECT MOISTURECOVER CONCEALER – APPLIED WHERE NEEDED.
STROBE CREAM – PATTED ONTO UPPER CHEEKBONES TO ADD HIGHLIGHT.
GLOSS TEXTURE – PLACED OVER STROBE CREAM AND BRUSHED THROUGH BROWS.

GILES
“IT’S MICK JAGGER IN PERFORMANCE MEETS THE SEVENTIES DRAG ACT, THE
COQUETTES...ALTHOUGH IT’S BOHEMIAN AND ARTY RATHER THAN DRAGGY, AND
DEFINITELY NOT PERFECT.”
MIRANDA JOYCE


EYE
M·A·C PRO GOLD GLITTER – OVER THE LIDS, PACKED ON TIGHT AT THE LASH LINE,
APPLIED ONTO MIXING MEDIUM LASH WITH A 242 BRUSH.
M·A·C PRO TURQUOISE OR PRO PINK GLITTER – APPLIED IN THE SAME WAY ALL AROUND
THE GOLD AND UP INTO THE BROWS, AROUND IN A ‘C’ SHAPE BENEATH THE EYES IN
A FREE AND ARTY, NOT PERFECT, STYLE.
PLUSHBLACK PLUSH LASH MASCARA – SEVERAL COATS ON TOP AND BOTTOM LASHES.
BROWS BLEACHED IF NECESSARY.


LIP
LADY DANGER LIPSTICK – SOFTLY APPLIED.
CLEAR LIPGLASS – FOR A FULL-ON VINYL FINISH.


FACE
FACE AND BODY FOUNDATION – WHERE NEEDED, FRESH SKIN IS SO IMPORTANT
SO THIS LOOK STAYS MODERN.

LFW Septmeber 19th - MAC Cosmetics Face Charts

EYE
Morange Lipstick – applied sheer along lower lashline, across lid
and up to brow and extended out slightly to create a 90s feel.
Dusk Cream Colour Base – blended into socket line with brush 219.
Clear Lipglass – slicked onto the upper lid .
Bleached out brows.


LIP
Morange Lipstick and Studio Sculpt Foundation – mixed together
and patted onto lips.
Luna Cream Colour Base – used to highlight cupids bow and down
centre of lip and topped with Gold Pigment.


FACE
Studio Sculpt Foundation – applied to skin with brush 188.
Morange Lipstick – used on and under the cheekbones and
up through the temples.
Dusk Cream Colour Base – used underneath cheekbone to contour.
Shell Cream Colour Base – to highlight tops of cheekbones and
centre of the nose.

EYE
Litebrite Cremeshadow (Available 2011) –applied as a sheer wash over
the lid with more attention by the lashline.
Fascinating Eye Kohl – applied to the waterlines.
Carbon black Opulash (Available 2011) – combed through the lashes.
Clear Brow Set – to set the brows.


LIP
Diva Lipstick – very softly applied as a base.
Ruby Woo Lipstick – in the centre of the lips.


FACE
Strobe Liquid – all over the face to give skin a hyperluminosity.
Studio Sculpt Concealer – applied where needed.
So Sweet, So Easy Cremeblush – on the apples of the cheeks.
For the random highlights there were three colour options
lilac , pastel blue or pastel lime,
created by mixing the following M·A·C PRO Paintsticks:
Lilac – Pure White, Marine Ultra and Process Magenta.
Pastel blue – Pure White and Hi-Def Cyan.
Pale lime – Pure White, Landscape Green and Primary Yellow.

EYE
Washed Out Creamshadow (available 2011) and Digit Eyeshadow –
blended onto upper lid and taken up to brow using a 217 brush.
Fascinating Eye Kohl – applied to the lower waterline .


LIP
Saint Germain Lipstick – patted over lip conditioner on the lips.


FACE
Face and Body Foundation – applied onto moisturized skin using
a 187 brush.
Select Moisturecover Concealer – used to conceal and as a
highlighter on top of cheek and centre of nose.
Pink Swoo n Powder Blush – applied to centre of cheeks
with a 138 brush.

EYE
Ebony Eye Pencil – a trace in the upper lashline to give the
eyes a subtle strength without needing mascara .


LIP
Lip Conditioner – patted onto the lips.


FACE
Moisturelush Cream mixed with Fix+ and Care Blends
Essential Oils – all whipped into the skin with a 187 brush
for a ‘skin cuisine.’
Fast Response Eye Cream – patted under eyes.
Select Moisturecover Concealer – where needed.
Face and Body Foundation – where needed.
Prep + Prime Transparent Finishing Powder – on T zone only.
Lilicent and Laidback Blushcremes – across the cheeks and
bridge of the nose for a ‘country glow’ applied in a large
area with a 188 brush.

LFW September 18th - MAC Cosmetics Face Charts

EYE
Waveline Fluidline – applied all around the eye from lash line to the socket
and on the lower lid using a brush but kept rough around the edges.
Clear Lipglass – added on top for a wet look finish.
Blacksplash Mascara – used as a base for contrasting lashes.
M·A·C PRO Hi –Def Cyan ChroMACake mixed with M·A·C PRO Lash Mixing Medium –
packed onto lashes using a 263 bru sh.


LIP
Chromagraphic Pencil NW 25/NC 30 – drawn over the entire lip with a precise
coat of Clear Lipglass applied on top for a plastic wet look.


FACE
Studio Fix Fluid Foundation – buffed on to skin with 129 brush.
Mineralize Skinfinish in Medium Dark – for a minimal contour under
the cheekbones.

EYE
Fascinating Eye Kohl – in the waterlines.
Beguile Brow Set– brushed upwards for well -defined
brows.


LIP
Posey Blushcre me – in the centre of the mouth for a bitten
lip effect.


FACE
Moisturelush Moisturiser – on the cheekbones for a
satin dewy texture .
Select Moisture cover Concealer – where needed.
Posey Blushcre me – to give the cheeks a flush

EYE
Clear Lip Conditioner – dabbed over the eyelids.
Clear Brow Set – brushed up through the brows.
Impeccable Brow Marker – sketched through the brows
in an upward motion.

LIP
Clear Lip Conditioner – patted onto lips.

FACE
Pro Longwear Concealer and Studio Moisture Fix Foundation –
mixed together and sheered on to the skin.
M·A·C Pro Pigment Neo Orange mixed with Gesso Eyeshadow –
applied on to the apples of the cheeks and blended out and in
toward the nose.
Frankly Scarlet Powder Blush – added to the centre of the
cheek to give intensity.
Medium Dark Mineralize Skinfinish Natural – applied on top of
the base to warm up the skin and blend out blush.

LFW September 17th - MAC Cosmetics Face Charts

EYE
Swell Baby Eye shadow (available 2011) – blended into the
crease of the eyelids.
Phloof Eye Shadow – packed onto the eyelids.
Black ProLash Mascara – on top and bottom lashes.
Feline Kohl Power Eye Pencil – to look quite crayoned, in a
thick line from corner to corner of the upper lash line .
M·A·C PRO Process Magenta Paintstick – worked above the grey
in the socket line and taken all the way around the temples
and tops of cheekbones in a kidney shape .
Sushiflower Eyeshadow and Pink Pearl Pigment – patted on top
of the Paintstick to create a glazed, airbrush effect.

LIP
Myth Lipstick – applied straight from the tube .

FACE
Studio Sculpt Foundation – in a more yellowtone , and one shade
paler than the girls natural skin, worked in with fingers.
Free to Be Eye Shadow – buffed lightly over the cheeks to
meet the pink around the eyes.
Pink Pearl Pigment – pushed onto the very tops of the
cheekbones for a psychedelia of blushes.

EYE
Swell Baby Eyeshadow (available 2011) and Phloof Eyeshadows –
blended over the lid up to the socket line and under the
lower lashes, very softly, with Phloof focused on the inner corners
and centre of the lid.
NC20 Nude M·A·C PRO Chromagraphic Pencil – along the top lash line
Clear Brow Set – combed through brows.

LIP
Derailed Creamshadow Quad (available 2011) – a soft stain on lips.

FACE
Studio Sculpt Foundation – for egg shell skin.
Prep + Prime Transparent Finishing Powder – to set foundation.
Derailed Creamshadow Quad (available 2011) – pressed into the cheekbones.
Naked Pigment – blended under the cheekbones and onto the temples.

EYE
Black, Green an d Blue M·A·C PRO ChroMACakes – blended to create
a deep indigo blue .

LIP
Matte Mixing Medium – to give the lip moisture without any shine .

FACE
Moisturelush Cream – for skin that’s fresh and plump.
Face and Body Foundation – applied with fingers to keep the texture real
Blot Paper – to mattify the t-zone slightly.
Strobe Liquid – a touch down the centre of the nose, tops of cheekbones
and cupid’s bow.

MAC Cosmetics - A/W '10 Recap

M·A·C COSMETICS’ BIGGEST SEASON EVER: FALL/WINTER 2010 FASHION WEEKS



This Fall/Winter 2010 season marked the 15th Anniversary of M·A·C Cosmetics involvement in New York Fashion Week and our impact in London , Paris and Milan was bigger than ever before! M·A·C Cosmetics supported nearly 200 shows during the Fall/Winter 2010 Collections. M·A·C continued as the official sponsor of London Fashion week, had a strong presence in Milan and Paris, and hosted shows, events and presentations at M·A·C & Milk and throughout New York.



Fall/Winter 2010 was an inventive and inspiring season for beauty. This season, Makeup Artists asked the question: “What is luxurious makeup?” The answer was not opulence, but, rather, a sense of individual enhancement based in reality. Lyne Desnoyers, Director of Makeup Artistry for M·A·C, called it “flirting with luxury on a contemporary face.”



A few memorable products that created the latest trends include:



M·A·C Opulash This new mascara with a supersized brush produced plush, extravagant lashes on the runway. Adding dramatic volume and curl, it formed lush lashes - bigger, badder, more opulent eyes. Opulash was key in such shows as DSquared2, Blumarine, Max Mara and Chado Ralph Rucci.


M·A·C Prolongwear SPF 10 Foundation: Creamy and lightweight, this yet-to-be-introduced foundation was a hit! Providing ample playtime and easy blending, it also demonstrated 15-hours of wearability and garnered raves backstage at Chado Ralph Rucci, PORTS 1961 and Timo Weiland.


M·A·C Eye Kohl in Smolder A backstage essential, Smolder Eye Kohl lined lids throughout all four cities. Its creamy texture and versatility allowed for smudged, smokey looks as well as dramatic, etched dark definition. It framed eyes at such shows as L.A.M.B., Zac Posen, Tadashi Shoji and Vivienne Westwood Gold Label.


M·A·C Lip Pencil in Cherry: Forget subtlety – this season, bold, bright lips were front and center. Lip Pencil in Cherry was the crucial ingredient, forming, priming and making colour come forward. Paired most often with Lady Danger and Russian Red Lipsticks, it was seen at DSquared2, Doo.Ri, Donna Karan and Moschino.

London Fashion Week - MAC Cosmetics Face Charts February 23rd

Eyes:
Eyeshadow in Copperplate – used on lids and buffed out with a
#217 Brush – blown out and diffused. It’s soft grey and smokey all round
the eye with the emphasis on shading
No Mascara and brows are naturally bushy
FACE :
Face and Body Foundation – used to create incredibly beautiful and glowing skin
Select Moisturecover Concealer – where necessary
Invisible Set Powder – dusted on the centre of nose and eyelids
Mineralize Blush in Dainty – applied to the apples of cheeks
with a 129 Brush – soft and blown out
Lip:
Select Moisturecover Concealer mixed with Pro Lip Erase in Dim and
different shades of pink lipsticks – to warm up the lips. This was adjusted
to suit the skin ton e of each individual girl



Eyes:
On darker skintones:
Chrom aline in White – applied in a slight 50’s shape very precisely on the upper lash
line
Gesso Eye Shadow – wo rked on top of the Chromaline
Eye Brows in Spiked or Stud – to create a strong, bold brow
On lighter skintones:
Water Base Mixing Medium and Pigment in Silver – blended to create
a metallic silver liner, also painted in a slightly 50s shape
FACE :
FACE AND BODY FOUNDATION
Invisible Set Powder – for a very perfect, very matte skin
Iridescent Loose Powder in Golden Bronze – to highlight the cheeks and
the bridge of the nose on darker skin tones
Mineralize Skinfinish in Soft and Gentle – to highlight the cheeks and
bridge of the nose on lighter skintones
Lip:
Lip Pencil in Chestnut – drawn precisely around the mouth and blended inwards
Ebony Eye Pencil – used in place of Chestnut on darker skintones
Pro Paint stick in Black – to fill in the lip



Eyes:
Eye Shadow in Wild by Nature – washed all over the eye lid
Eye Shadow in Fresh Water – blended through the crease
Paint Stick in Blue – dabbed onto the inner corners of the eye,
and along the socket line, before being powdered to set
Eye Shadow in Shag – taken beneath the lower lashes for soft definition
Black Prolash Mascara – applied top and bottom lashes
FACE :
Studio Moisture Fix – a light layer applied to prime the skin
Studio Fix and Face and Body Foundations – applied to the face for well groomed skin
Prep + Prime transparent finishing Pow der – all over “for a really buffed finish that
references the powdery texture I want to keep on the face”
Sculpt Sculpting Powder – under the cheekbones “for a taupe, womanly feel”
Lip:
Blushcreme in Uncommon mixed with Lip Erase in Dim – blended and patted on the mouth
for a “healthily nude, polished lip”

London Fashion Week - MAC Cosmetics Face Charts February 22

Eyes:
PIGMENT IN VANILLA – over the lids
EYE SHADOW IN WOODWINKED – under the lashes and on the centre of the lid
CLEAR BROW SET AS MASCARA and LIPGLASS IN CLEAR – brushed up through the brows
CURLED LASHES
FACE:
FACE AND BODY FOUNDATION – applied to the face
PIGMENT IN VANILLA – to highlight
MINERALIZE BLUSH IN DAINTY – on the apples of the cheek
Lip:
LIPSTICK IN PEACHSTOCK and LIPGLASS IN CLEAR – dabbed on the centre of the lip



Eyes:
REF LECTS GLITTER IN GOLD – press ed all over the lid and up to th e brow bones
and temples using a 165 brush, keeping clear of the lashline
STUDIO FIX LASH IN BLACK – pulled out to the sides as you apply , top lashes only
BROW SET IN CLEAR – to brush up the brow
FACE:
STUDIO MOISTURE FIX mixed with CAREB LENDS ESSENTIAL OILS IN
GRAPEFRUIT AND CHAMOMILE – to give the skin a dewy sheen
SELECT COVER-UP mixed with STUDIO MOISTURE FIX – only where needed for sheer coverage
BLUSHCREME IN POSEY – blended softly along the cheekbones
REFLECTS GLITTER IN BLUE – pressed with the fingertips on top of the blush
Lip:
LIPSTICK IN RU SSIAN RE D, SPICE IT UP, COCACHINO AND LIPGLASS IN DESIRE – layered into the
perfect browny -purple and topped with gloss for a rich Seventies lip, all using a 318 brush


Eyes:
STUDIO FINISH COLOUR CORRE CTOR IN DEE P BR OWN – an almost black , with a burgundy
tint to it which gives the eye a shapeless smoky stain blended into the
lash lines and lid and really blowing it out
POWER POINT EYE PENCIL IN ENGRAVED – layered on top of the top
and bottom lash lines to give the smokyness extra depth
MINERALIZE POWDER – brushed th rough the brows
FACE:
STUDIO SCULPT FOUNDATION – applied to the face for a flawless eggshell finish, one
shade lighter on the cheekbones for a textureless highlight
Lip:
STUDIO SCULPT FOUNDATION – the tiniest amount just to bring their colour down

London Fashion Week - MAC Cosmetics Face Charts February 21st

Eyes:
EYE KOHL IN FASCINATING – applied to the water lines of the eyelids
FULL COVERAGE FOUNDATION IN WHITE – smoothed onto the lids for a milky effect
BROW SET IN CLEAR – brushed up through the brows
NO MASCARA
FACE:
STUDIO SCULPT FOUNDATION – applied to the face for a really perfect skin that’s not heavy
CREAM COLOUR BASE IN PEARL – blended with fing ers all over the cheekbones
CREAM COLOUR BASE IN LUNA – to further highlight the highest part of the cheekbone
CRE AM COLOUR BASE IN FAWNTASTIC – used in place of Pearl as a highlight for deeper skintones
Lip:
LIP ERASE IN DIM – the tiniest amount , simply to make the lip tonal with the skin



Eyes:
EYE SHADOW IN TETE-a-TINT – blended quickly all over
the lid and beneath the eye imprecisely
EYE SHADOW IN PALACE PEDIGREED (Availa ble Fall 2010) – washed over
the brow bone and low r lash line
EYE KOHL IN SMOLDER – to thickly and messily line the lower lashes
PRO GLOSS TEXTURE – painted under the lower lashes as a base for the glitter
GLITTER IN 3D GOLD, COPPER, REFLECTS VERY PINK – randomly blended beneath the eyes
LIP PENCIL IN REDD – dott d on the inner corners of the eye, to pped with Gloss
Texture and a small cut out of red reflective paper
NO MASCARA
BROW SET IN CLEAR – to brush up brows
FACE:
FACE AND BODY FOUNDATION – applied to the face
SELECT MOISTURECOVER CONCEALER – applied where needed
BLUSHCREME IN LAID BACK – dabbed across the cheeks
PR O GLOSS TEXTURE – layered over the blush
Lip:
BLUSHCREME IN LAID BACK – patted onto the lips for a stain


Eyes:
POWDER BLUSH IN TAUPE , EYE SHADOW IN QUARRY, EYESHADOW IN COPPERPLATE – All washed
(layered from Taupe to Copperplate) from the lash line to the brow with a soft
224 brush , and tak en beneath th e eye and down th e sid es of th e nos e with a 219brush
NO MASCARA
FACE:
STROBE LIQUID mixed with FACE AND BODY FOUNDATION IN WHITE
and either C1 or C2 – to give the skin a translucent pallor, a dreamlike glow
POWDER BLUSH IN TAUPE – as a foundation for the contour
EYE SHADOW IN QUARRY – to cool down the colour
EYE SHADOW IN COPPERPLATE – to deepen the shadows
All applied with a 116 brush for an airbrushed effect, on the cheekbones,
temples, ears and jaw.
*Half th e girls have hading on both sides of their face, 7 have shading
only on the left, 7 only from the right .
Lip:
LIP ERASE IN PALE – applied to the lips
LIP PENCIL IN STONE – applied to the top lip only , and beneath the lower lip
EYE SHADOW IN COPPERPLATE – layered over the lip pencil for a matte grey brown tone

London Fashion Week - MAC Cosmetics Face Charts February 20th

EYES:
CREAM COLOUR BASE IN MID-TONED SEPIA – BLEND OVER THE LIDS AND BENEATH THE LOWER LASHES
STUDIO FIX LASH IN STUDIO BROWN – COMB THROUGH THE TOP LASHES ONLY
FACE:
FACE AND BODY FOUNDATION - APPLY ONE SHADE DEEPER THAN NATURAL SKIN TONE
CREAM COLOUR BASE IN BRONZE AND MID-TONED SEPIA - MIXED TOGETHER AND BUFFED INTO
THE CHEEKBONES, TEMPLES AND FOREHEAD WITH A SOFT 168 BRUSH
BEAUTY BALM, OR MINERALIZE ALL OVER LOTION - SMOOTH OVER CHEEKBONES, COLLARBONES
AND ON THE INNER CORNERS OF THE EYE
LIP:
LIP CONDITIONER


EYES:
BASIC RED PIGMENT – WASH COLOUR IN THE SOCKET AND FADE OUT FOR A SOFT PINK TINT
IMPECCABLE BROW PENCIL IN TAUPE - DRAW ON HALF A BROW, FROM THE HIGHPOINT
OF THE ARCH AND TAPER TO OUTER EDGE
EYE KOHL IN FASCINATING – GENTLY RIM LOWER LIDS
FACE:
STUDIO MOISTURE FIX SPF 15 – MASSAGE INTO SKIN
STUDIO FINISH CONCEALER – APPLY SPARINGLY
LIP:
LIP PENCIL IN CHERRY – SMOOTH OVER THE LIP AS A BASE COAT
PIGMENT IN BASIC RED – SOFTLY POWDER THE LIPS


EYES:
FLUIDLINE IN BLACKTRACK - APPLY WITH A 266 BRUSH ALONG THE TOP LASH LINE
FACE:
SELECT MOISTURECOVER CONCEALER – BUFF ON WITH A 187 STIPPLE BRUSH
MINERALIZE SKINFINISH AND SCULPTING POWDER IN BONE BEIGE – APPLY LIGHTLY
POWDER BLUSH IN DAME – BRUSH ON TO THE APPLES OF THE CHEEK
LIP:
LIP PENCIL IN VINO - FILL IN LIPS DEFINING CUPID’S BOW
LIPMIX IN CRIMSON – BLEND OVER THE LIP PENCIL

London Fashion Week - MAC Cosmetics Face Charts February 19th

EYES:
GLOSS TEXTURE – APPLY WITH FINGERS TO EYELIDS
AND UP TO BROWS
FACE:
STROBE CREAM - HIGHLIGHT CHEEKBONES AND TEMPLES
FACE AND BODY FOUNDATION – APPLY TO CORNERS OF NOSE, UNDER
EYES AND CENTRE OF THE FOREHEAD
PREP + PRIME TRANSPARENT FINISHING POWDER AND INVISIBLE
SET POWDER – COMBINE AND APPLY TO THE CENTRE OF FACE
GLOSS TEXTURE – APPLY TO CHEEKBONES
LIP:
MEDIA LIPSTICK – APPLY WITH 223 BRUSH
CREMESTICK LINER IN VELVET - BLEND EVENLY
MEEOW LIPGLASS – APPLY ONE TOP COAT FOR ADDED SHINE



EYES:
PRO COLOUR CORRECTOR CONCEALER IN OCHRE AND CARAMEL
– APPLY IN SHEER ‘SQU-OVAL’ SHAPE
SILVER DUSK IRRIDESCENT POWDER – BUFF INTO THE CENTRE
OF THE LID AND INTO INNER CORNERS
FACE:
PREP + PRIME FACE PROTECT SPF 50 – APPLY AS A PRIMER
FACE AND BODY FOUNDATION
SILVER DUSK IRRIDESCENT POWDER – BLEND ALONG THE
BRIDGE OF NOSE AND CUPID’S BOW
LIP:
CUNNING OR DESIRE LIPSTICK - DAPPLE ONTO
LIPS FOR A LIGHT STAIN