PFW October 1st - MAC Cosmetics Face Charts

LOOK 1: ENTOMBED
The exact placement of colours was unique for each girl.


EYE
Blacktrack Fluidline – painted precisely on in an Egyptian
shape with a 210 brush.
Rose Gold Pigment mixed with Eye liner Mixing Medium – painted just
above the black liner on the upper lash line .
M·A·C Pro Primary Yellow Paint Stick – pushed on to highlight the brow .
Blacktrack Fluidline – to sket ch in the brows with individual doll-like hairs


LIP
Black Black Chromaline – to line the lips.
M·A·C Pro Terracott a Airbrush Formula – to fill them in with a blood red .


FACE
White Face and Body Found ation – applied sheer for paled down skin.
M·A·C Pro Primary Yellow Paint Stick – in a doll shape on the cheek.
A paste of kaolin clay was brushed randomly around the hairline
and onto the face, and partially cracked off when it dried to
give the dusty, entombed effect.

LOOK 2: MOUNTAIN GIRL


EYE
Bare.


LIP
Brown M·A·C Pro Lip Mix – as a soft stain.


FACE
Studio Moisture Tint – applied as a base .
Brown M·A·C Pro Lip Mix – to flush the apples of the cheeks.
A paste of kaolin clay was brushed randomly around the hairline
and onto the face, and partially cracked off when it dried to give
the dusty, entombed effect.

EYE
Coffee Eye Pencil – along the socket line as an aero-dynamic,
tailored line going straight out to the temples .
Concrete Eye Shadow – washed over the lids to soften out the
Coffee pencil, and slightly under the eye for contour.


LIP
Cherry Lip Pencil – to line the mouth.
Crimson Lip Mix – precisely on top with a 316 lip brush.
Basic Red M·A·C Pro Pigment – to give an extremely matte , perfect finish.


FACE
Studio Sculpt Found ation – applied as a base .
Dark Brown and Mid-Tone Sepia Cream Colour Base – mixed and smoothed
under the chee kbones and on the temples to contour.

LFW Septmeber 19th - MAC Cosmetics Face Charts

EYE
Morange Lipstick – applied sheer along lower lashline, across lid
and up to brow and extended out slightly to create a 90s feel.
Dusk Cream Colour Base – blended into socket line with brush 219.
Clear Lipglass – slicked onto the upper lid .
Bleached out brows.


LIP
Morange Lipstick and Studio Sculpt Foundation – mixed together
and patted onto lips.
Luna Cream Colour Base – used to highlight cupids bow and down
centre of lip and topped with Gold Pigment.


FACE
Studio Sculpt Foundation – applied to skin with brush 188.
Morange Lipstick – used on and under the cheekbones and
up through the temples.
Dusk Cream Colour Base – used underneath cheekbone to contour.
Shell Cream Colour Base – to highlight tops of cheekbones and
centre of the nose.

EYE
Litebrite Cremeshadow (Available 2011) –applied as a sheer wash over
the lid with more attention by the lashline.
Fascinating Eye Kohl – applied to the waterlines.
Carbon black Opulash (Available 2011) – combed through the lashes.
Clear Brow Set – to set the brows.


LIP
Diva Lipstick – very softly applied as a base.
Ruby Woo Lipstick – in the centre of the lips.


FACE
Strobe Liquid – all over the face to give skin a hyperluminosity.
Studio Sculpt Concealer – applied where needed.
So Sweet, So Easy Cremeblush – on the apples of the cheeks.
For the random highlights there were three colour options
lilac , pastel blue or pastel lime,
created by mixing the following M·A·C PRO Paintsticks:
Lilac – Pure White, Marine Ultra and Process Magenta.
Pastel blue – Pure White and Hi-Def Cyan.
Pale lime – Pure White, Landscape Green and Primary Yellow.

EYE
Washed Out Creamshadow (available 2011) and Digit Eyeshadow –
blended onto upper lid and taken up to brow using a 217 brush.
Fascinating Eye Kohl – applied to the lower waterline .


LIP
Saint Germain Lipstick – patted over lip conditioner on the lips.


FACE
Face and Body Foundation – applied onto moisturized skin using
a 187 brush.
Select Moisturecover Concealer – used to conceal and as a
highlighter on top of cheek and centre of nose.
Pink Swoo n Powder Blush – applied to centre of cheeks
with a 138 brush.

EYE
Ebony Eye Pencil – a trace in the upper lashline to give the
eyes a subtle strength without needing mascara .


LIP
Lip Conditioner – patted onto the lips.


FACE
Moisturelush Cream mixed with Fix+ and Care Blends
Essential Oils – all whipped into the skin with a 187 brush
for a ‘skin cuisine.’
Fast Response Eye Cream – patted under eyes.
Select Moisturecover Concealer – where needed.
Face and Body Foundation – where needed.
Prep + Prime Transparent Finishing Powder – on T zone only.
Lilicent and Laidback Blushcremes – across the cheeks and
bridge of the nose for a ‘country glow’ applied in a large
area with a 188 brush.

Paris Fashion Week - MAC Cosmetics Face Charts March 5th

Eyes:
Paint Stick in Dark Brown and Cream Colour Base in Mid-Tone Sepia – blended in the
crease of the eye and under the lower lashes, very blended
Crème Liner in Black – lining the upper lash line with the finest trace
and to stain the lower lashes
Loose Powder in Silver Dusk – to highlight above the browbone and inner corner
of the lids and bru shed into the brows
Impeccable Brow Pencil in Taupe and Dirty Blonde – brushed up through the brow
FACE:
Studio Moisture Fix
Studio Sculpt Concealer – where necessary
Sculpting Powder in Sculpt – to contour
Tenderling Blush – on the temples
Iridescent Powder in Silver Dusk – to highlight the cheekbones
Lip:
Lip Conditioner
Iridescent Powder in Silver Dusk – touched on the cupid’s bow


THE PRINCE CHARMING LOOK
Eyes:
Cream Colour Base in Dark Brown – on the inner brow bone , blended down
the side of the nose and across the socket line
Eye Kohl in Smolder – smudged into the brow for depth , also taken down the side of
the nose to give a masculine edge. Also lightly rubbed into the lash line
Liquid liner in Boot Black – to draw on a bushy deranged brow
FACE:
Studiosculpt foundation – as a base
Invisible Set Powder – to set for a matte skin
Cream Colour Base in Root – to contour the cheeks
Pro Neon Pigment in Rock-it Yellow – on the cheek
Lip:
Liquid liner in boot black – to draw on a moustache


THE DAMSEL LOOK
Eyes:
Eye Kohl in Smolder – washed all over the upper and lower lids using a 224 brush,
al o involving the brows. Then drawn into the socket line from high on inner corner
sloping downwards to create a ‘sad’ eye
No mascara
FACE:
Studio Sculpt Foundation – as a base
Prep + Prime Transparent Finishing Powder – to set the foundation
No cheek
Lip:
Liquid Liner in Boot Black – to draw on a cartoon bubble lip outline
Lipmix in Fuchsia – painted in with a 194 brush
Pro Neon Pigment in Magenta Madness – pressed on top


Eyes:
Clear Brow Set – to groom the brow
FACE:
Face and Body Foundation – as a base
Select MoistureCover Concealer – where needed
Prep + Prime Transparent Finishing Powder – around the nose
and chin but left dewy elsewhere
Lip:
Lip Pencil in Cherry – to line the lips
Lipstick in Ruby Woo – painted on with a 316 brush in an opaque layer , then smudged
slightly below the lower lip on one side as if the girls had pulled it themselves with a finger (a touch of lipstick was then added to each girls finger/hand)

London Fashion Week - MAC Cosmetics Face Charts February 21st

Eyes:
EYE KOHL IN FASCINATING – applied to the water lines of the eyelids
FULL COVERAGE FOUNDATION IN WHITE – smoothed onto the lids for a milky effect
BROW SET IN CLEAR – brushed up through the brows
NO MASCARA
FACE:
STUDIO SCULPT FOUNDATION – applied to the face for a really perfect skin that’s not heavy
CREAM COLOUR BASE IN PEARL – blended with fing ers all over the cheekbones
CREAM COLOUR BASE IN LUNA – to further highlight the highest part of the cheekbone
CRE AM COLOUR BASE IN FAWNTASTIC – used in place of Pearl as a highlight for deeper skintones
Lip:
LIP ERASE IN DIM – the tiniest amount , simply to make the lip tonal with the skin



Eyes:
EYE SHADOW IN TETE-a-TINT – blended quickly all over
the lid and beneath the eye imprecisely
EYE SHADOW IN PALACE PEDIGREED (Availa ble Fall 2010) – washed over
the brow bone and low r lash line
EYE KOHL IN SMOLDER – to thickly and messily line the lower lashes
PRO GLOSS TEXTURE – painted under the lower lashes as a base for the glitter
GLITTER IN 3D GOLD, COPPER, REFLECTS VERY PINK – randomly blended beneath the eyes
LIP PENCIL IN REDD – dott d on the inner corners of the eye, to pped with Gloss
Texture and a small cut out of red reflective paper
NO MASCARA
BROW SET IN CLEAR – to brush up brows
FACE:
FACE AND BODY FOUNDATION – applied to the face
SELECT MOISTURECOVER CONCEALER – applied where needed
BLUSHCREME IN LAID BACK – dabbed across the cheeks
PR O GLOSS TEXTURE – layered over the blush
Lip:
BLUSHCREME IN LAID BACK – patted onto the lips for a stain


Eyes:
POWDER BLUSH IN TAUPE , EYE SHADOW IN QUARRY, EYESHADOW IN COPPERPLATE – All washed
(layered from Taupe to Copperplate) from the lash line to the brow with a soft
224 brush , and tak en beneath th e eye and down th e sid es of th e nos e with a 219brush
NO MASCARA
FACE:
STROBE LIQUID mixed with FACE AND BODY FOUNDATION IN WHITE
and either C1 or C2 – to give the skin a translucent pallor, a dreamlike glow
POWDER BLUSH IN TAUPE – as a foundation for the contour
EYE SHADOW IN QUARRY – to cool down the colour
EYE SHADOW IN COPPERPLATE – to deepen the shadows
All applied with a 116 brush for an airbrushed effect, on the cheekbones,
temples, ears and jaw.
*Half th e girls have hading on both sides of their face, 7 have shading
only on the left, 7 only from the right .
Lip:
LIP ERASE IN PALE – applied to the lips
LIP PENCIL IN STONE – applied to the top lip only , and beneath the lower lip
EYE SHADOW IN COPPERPLATE – layered over the lip pencil for a matte grey brown tone