PFW October 1st - MAC Cosmetics Face Charts

LOOK 1: ENTOMBED
The exact placement of colours was unique for each girl.


EYE
Blacktrack Fluidline – painted precisely on in an Egyptian
shape with a 210 brush.
Rose Gold Pigment mixed with Eye liner Mixing Medium – painted just
above the black liner on the upper lash line .
M·A·C Pro Primary Yellow Paint Stick – pushed on to highlight the brow .
Blacktrack Fluidline – to sket ch in the brows with individual doll-like hairs


LIP
Black Black Chromaline – to line the lips.
M·A·C Pro Terracott a Airbrush Formula – to fill them in with a blood red .


FACE
White Face and Body Found ation – applied sheer for paled down skin.
M·A·C Pro Primary Yellow Paint Stick – in a doll shape on the cheek.
A paste of kaolin clay was brushed randomly around the hairline
and onto the face, and partially cracked off when it dried to
give the dusty, entombed effect.

LOOK 2: MOUNTAIN GIRL


EYE
Bare.


LIP
Brown M·A·C Pro Lip Mix – as a soft stain.


FACE
Studio Moisture Tint – applied as a base .
Brown M·A·C Pro Lip Mix – to flush the apples of the cheeks.
A paste of kaolin clay was brushed randomly around the hairline
and onto the face, and partially cracked off when it dried to give
the dusty, entombed effect.

EYE
Coffee Eye Pencil – along the socket line as an aero-dynamic,
tailored line going straight out to the temples .
Concrete Eye Shadow – washed over the lids to soften out the
Coffee pencil, and slightly under the eye for contour.


LIP
Cherry Lip Pencil – to line the mouth.
Crimson Lip Mix – precisely on top with a 316 lip brush.
Basic Red M·A·C Pro Pigment – to give an extremely matte , perfect finish.


FACE
Studio Sculpt Found ation – applied as a base .
Dark Brown and Mid-Tone Sepia Cream Colour Base – mixed and smoothed
under the chee kbones and on the temples to contour.

PFW September 30th - MAC Cosmetics Face Charts

EYE
No products were applied to the eyes.


LIP
Lip Conditioner– to moisturize the lips.


FACE
Pro Longwear Concealer – to cover imperfections.
So Sweet So Easy Cream Blush (Available 2011) – buffed
on to the cheeks.
Face and Bodies were then sprayed with a high gloss spray
to achieve the wet look.

EYE
Luna Crea m Colour Base – on upper lid .
Shroom Eye Shadow – on inner corner of eye.
Superslick Liquid Eye Liner in Black – an entirely new brow is
drawn on Horizon tal and square with a slight upwards tilt.
Clear Lipglass – applied over brows to give a wet look.


LIP
Lip Cond itioner–to prep.
M·A·C PRO Lip Mix in White and To Pamper Lipstick – blended and
applied to the lips.


FACE
Face and Body Foundation – applied to the skin in matching
tones and then with a darker shade used to contour.
M·A·C PRO Sculpting Creams in Bark and Accentuate – applied with
188 brush under the cheekbone .
Luna Cream Colour Base – added as a highlight on upper
cheekbones, cupid’s bow and down centre of nose.

EYE
Dazzle Lash Mascara in Black Dazzle – light application
after curling the lashes.
Coffee pencil – drawn subtly under the top lashes.


LIP
Lip Conditioner – patted on to the lips.


FACE
Face and Bod y Founda tion – applied for sheer coverage.
Prep + Prime Transparent Finishing Powder – to set the foundation .
Taupe Blush – to slightly contour the cheekbones.
Mineralize Skinfinish Natural – to bronze the skin.

EYE
Virgin Isle Crea m Colour Base and Chrome Yellow Eye Shadow –
blended on to the eyes from crea se up ove r the brows and out
toward the temples.
Painterly Paint Pot – to highlight the eyelids and accentuate the
stripes.
M·A·C PRO Black Full Coverage Foundation – Drawn through the
crease and out toward the temples.
Zoom Fast Black Lash – applied to top and bottom lashes.


LIP
M·A·C PRO Lipmix in Crimson and Orange –
blended on to the lips.
Neo -Orange Pigment – patted over Lipmix for a matte lip.

FACE
Virgin Isle Cream Colour Base and Chrome Yellow Eye Shadow –
blended on to the cheeks and back toward the hairline .
Strips of tape were applied from cheeks to forehead and later
removed after makeup application to crea te stripes without
product on the face.


EYE
Fling Eye Brows – used to draw a moth wing shape over
the lids and up past the brows.
Deep Brown and Polished Ivory M·A·C PRO Paint Sticks – mixed
together and blended over the moth wing shape.
Omega and Copperplate Eye Shadow – pressed over the paintstick
for a powdery matte texture.
Studio Finish SPF 35 Concealer – brushed through bleached brows.
LIP Dim Lip Erase – patted over lips.


FACE
Face and Body Foundation mixed with White Face and Body
Foundation – to create a base several shades paler than
each girl’s natural skintone .
Prep + Prime Transparent Finishing Powder – to set the foundation.

EYE
Vanilla Pigment – applied to the inner corner of the eyelid.
Fuchsia Pigment – applied to the outer corner of the eyelid.
Blacktrack Fluidline – to create a feather-like line along the
top and bottom lash lines drawn out past the outer corner
of the eyelid, and also to create feather-like lashes drawn
on to upper and lower lash lines.
Lash 44 – applied to the upper lash line .
Lash 36 – applied to the lower lash line .


LIP
Redd Lip Pencil – drawn over the lips.
Clear Lipglass – applied over the lip pencil.


FACE
Studio Sculpt Foundation – to perfect the skin.
Springsheen and Mocha Powder Blush – blended on to the
cheekbones and temples.
Vanilla Pigment – to highlight the cheekbones.

MAC Cosmetics - A/W '10 Recap

M·A·C COSMETICS’ BIGGEST SEASON EVER: FALL/WINTER 2010 FASHION WEEKS



This Fall/Winter 2010 season marked the 15th Anniversary of M·A·C Cosmetics involvement in New York Fashion Week and our impact in London , Paris and Milan was bigger than ever before! M·A·C Cosmetics supported nearly 200 shows during the Fall/Winter 2010 Collections. M·A·C continued as the official sponsor of London Fashion week, had a strong presence in Milan and Paris, and hosted shows, events and presentations at M·A·C & Milk and throughout New York.



Fall/Winter 2010 was an inventive and inspiring season for beauty. This season, Makeup Artists asked the question: “What is luxurious makeup?” The answer was not opulence, but, rather, a sense of individual enhancement based in reality. Lyne Desnoyers, Director of Makeup Artistry for M·A·C, called it “flirting with luxury on a contemporary face.”



A few memorable products that created the latest trends include:



M·A·C Opulash This new mascara with a supersized brush produced plush, extravagant lashes on the runway. Adding dramatic volume and curl, it formed lush lashes - bigger, badder, more opulent eyes. Opulash was key in such shows as DSquared2, Blumarine, Max Mara and Chado Ralph Rucci.


M·A·C Prolongwear SPF 10 Foundation: Creamy and lightweight, this yet-to-be-introduced foundation was a hit! Providing ample playtime and easy blending, it also demonstrated 15-hours of wearability and garnered raves backstage at Chado Ralph Rucci, PORTS 1961 and Timo Weiland.


M·A·C Eye Kohl in Smolder A backstage essential, Smolder Eye Kohl lined lids throughout all four cities. Its creamy texture and versatility allowed for smudged, smokey looks as well as dramatic, etched dark definition. It framed eyes at such shows as L.A.M.B., Zac Posen, Tadashi Shoji and Vivienne Westwood Gold Label.


M·A·C Lip Pencil in Cherry: Forget subtlety – this season, bold, bright lips were front and center. Lip Pencil in Cherry was the crucial ingredient, forming, priming and making colour come forward. Paired most often with Lady Danger and Russian Red Lipsticks, it was seen at DSquared2, Doo.Ri, Donna Karan and Moschino.

Paris Fashion Week - MAC Cosmetics Face Charts March 9th

Eyes:
Cream Colour Base in Air Force Blue – applied to the eye lids
Black Paint Stick – mixed with the Cream Colour Base and blended into the crease of the lids
Same mix applied onto lower lash line and blended
Blac k PRO Lash Mascara – applied at roots of lash
Beguile Brow Set – Brows brushed up
Fling or Lingering Eye Brows – to fill in brows
FACE:
Studio Sculpt Foundation sheered out with Mineralize All-Over Lotion – applied to the face
Prep + Prime Transparent Finishing Powder – used all over skin to create a satin matte finish
Sculpt, Shadowy, Bone Beige Pro Sculpting Powder and Taupe Powder Blush – contouring the
cheekbones and blended through the temples
Lip:
Freckletone Lipstick – patted onto lips

Paris Fashion Week - MAC Cosmetics Face Charts March 8th

Eyes:
Pigment in Lithe (available fall 2010) – used to highlight the lids using a 224 Brush
Opulash Mascara in Bad , Bad , Black – several coat s applied to both upper and lower lashes
FACE:
Studio Sculpt Foundation set with Prep + Prime Tran sparent Fini shing Powder – to pale
and perfect the skin
Blush in Utterly Game – washed over the cheeks and up across
the brow bone in a soft ‘v’ shape
Lip:
LIPSTICK IN CHINTZ – to colour the lips
Invisible Set Powder – to set the colour



Eyes:
Face and Body Foundation in White – as a base to the lids to highlight the eye
Porcelain Set Powder – to highlight the inner corner of the eye
Eye shadow in Kid – smudged on the outer corner of the eye and blended outwards
Studio Fix Mascara in Black – on top lashes only
Brow Set Clear – combed through the brows
FACE:
Face and Body Foundation in White – for sheer pale coverage
Full Coverage Foundation in White – to conceal and highlight the under eye
Porcelain Set Powder and Silver Dusk Iridescent Powder – to highlight the cheekbone
Powder Blush in Dame and Pink Swoon – to flush the cheeks very softly , in a girly way
Lip:
Cream Colour Base in Pink Shock – patted into the centre of the lip
very softly with the fingers



Eyes:
Eye Pencil in Coffee – the slightest swish in the contour
Fluidline in Dipdo wn – applied very preci sely with a 209 brush in
a graphic, elongated bat wing shape
Fluidline in Blacktrack – painted above the brown liner
Zoomlash in Lofty Brown – in the roots of lashes only
Chroma Cake in Pure White – painted with a 209 brush half a centimeter below the
lower lashes following the shape of the liner
35 lashes – two pairs for a heavy hooded eye that’s sixties but more mechanical
FACE:
Face and Body Foundation – applied as a base
Prep + Prime Transparent Finishing Powder – to set foundation
Cream Colour Base in Root – to contour
Lip:
Pro Lip Erase in Dim – patted onto the lips

Paris Fashion Week - MAC Cosmetics Face Charts March 7th

Eyes:
Eye Shadow in Hand written – blended up from the lash line to
wash over the lids, top and bottom
Eye Shadow in Notoriety – from the lid to crease of the eye to form
a halo of colour that also works subtly into the lower lashes
Brow Set in Clear – brushed through the brows
FACE:
Face and Body Foundation – for a sheer base
Studio Sculpt Concealer – applied where needed
Cream Colour Base in Vintage Rose – applied with the fingers to flush the cheeks
Invisible Set Powder – to mattify the t-zone
Lip:
Lipstick in Lady Danger – brushed onto the lips
Lipglass in Clear – “on top – a lot lot lot of gloss – very strong shiny lips”



Eyes:
Lashes curled
Brow Set in Clear
Eye Shadows in Gesso and Yogurt – blended to create a matte white wash over the lid
Cream Colour Base in Luna – as an eyeliner, on the inner eye to give light
FACE:
Face and Body Mixing Medium and Face and Body foundation – applied to
the face for sheer coverage
Select cover-up – applied where needed
Prep + Prime Trans parent Finish ing Powder – only on the T Zone , to take advantage
of the highlight of skin texture on the cheek
Cream Colour Base in Nude and White – mixed, to highlight the cheekbones
Lip:
Lipglass in Clear – “a ton of it” brushed onto lips
Cream Colour Base in Luna – touched on the cupid’s bow


Eyes:
Sculpting Powders in Sculpt, Shad owy and Taupe Powder Blush – applied with a
224 brush “to give the eye a blown out square /oval twenties shape”
Zoomlash in Lofty Brown – applied to the lashes
FACE:
Moisturelush Cream and Careblends Essential Oils – massaged into skin
Studio Sculpt Foundation – applied as a base
Powderblush in Taupe – to contour the cheek
Lip:
Pro Long wear Lipcolour in Made to Last – focused on the centre of the lip,
sheered out with a finger towards the edges

Paris Fashion Week - MAC Cosmetics Face Charts March 6th

Eyes:
Tint Cream Colour Base – as a base on the lids
Eye Pencil in Taupe – to deepen the socket and the lower lashline
Eye liner Mixing Medium and Iridescent Powder in Silver Dusk – to highlight
all around the lashlines
No mascara , curled lashes
FACE:
Studio Sculpt Foundation
Prep + Prime Transparent Finishing Powder – for a natural but not flat matte skin texture
Tint Cream Colour Base – to hollow the cheeks
Powder Blush in Breath of Plum – on top of the cheekbones but only barely so, for the most subtle
touch of colour
Lip:
Lipstick in Jubilee – painted all over the mouth


Eyes:
Eye Pencil in Ebony – on the upper lash line
Lipglass in Fancy Cat – pressed onto the eyelid
Eye Shadow in Ground Brown and Liquid Liner in Blacktrack – mixed and drawn
through the brows horizontally and disconnected
Eye Shadow in Shroom – on the inner corner of the eye as a highlight
Eye Shadow in Furiously Fabulous (Available Fall 2010) – pushed into the
inner sockets of the eye with a 219 brush
FACE:
Face and Body Foundation in White – on the centre panel
of the face only, subtly blended
Tint Cream Colour Base – to gently contour the cheeks and
temples of the girls that need it
Lip:
Lipstick in To Pamper – blended onto the lips
Eye Shadow in Shroom – to highlight the cupid’s bow

Paris Fashion Week - MAC Cosmetics Face Charts March 5th

Eyes:
Paint Stick in Dark Brown and Cream Colour Base in Mid-Tone Sepia – blended in the
crease of the eye and under the lower lashes, very blended
Crème Liner in Black – lining the upper lash line with the finest trace
and to stain the lower lashes
Loose Powder in Silver Dusk – to highlight above the browbone and inner corner
of the lids and bru shed into the brows
Impeccable Brow Pencil in Taupe and Dirty Blonde – brushed up through the brow
FACE:
Studio Moisture Fix
Studio Sculpt Concealer – where necessary
Sculpting Powder in Sculpt – to contour
Tenderling Blush – on the temples
Iridescent Powder in Silver Dusk – to highlight the cheekbones
Lip:
Lip Conditioner
Iridescent Powder in Silver Dusk – touched on the cupid’s bow


THE PRINCE CHARMING LOOK
Eyes:
Cream Colour Base in Dark Brown – on the inner brow bone , blended down
the side of the nose and across the socket line
Eye Kohl in Smolder – smudged into the brow for depth , also taken down the side of
the nose to give a masculine edge. Also lightly rubbed into the lash line
Liquid liner in Boot Black – to draw on a bushy deranged brow
FACE:
Studiosculpt foundation – as a base
Invisible Set Powder – to set for a matte skin
Cream Colour Base in Root – to contour the cheeks
Pro Neon Pigment in Rock-it Yellow – on the cheek
Lip:
Liquid liner in boot black – to draw on a moustache


THE DAMSEL LOOK
Eyes:
Eye Kohl in Smolder – washed all over the upper and lower lids using a 224 brush,
al o involving the brows. Then drawn into the socket line from high on inner corner
sloping downwards to create a ‘sad’ eye
No mascara
FACE:
Studio Sculpt Foundation – as a base
Prep + Prime Transparent Finishing Powder – to set the foundation
No cheek
Lip:
Liquid Liner in Boot Black – to draw on a cartoon bubble lip outline
Lipmix in Fuchsia – painted in with a 194 brush
Pro Neon Pigment in Magenta Madness – pressed on top


Eyes:
Clear Brow Set – to groom the brow
FACE:
Face and Body Foundation – as a base
Select MoistureCover Concealer – where needed
Prep + Prime Transparent Finishing Powder – around the nose
and chin but left dewy elsewhere
Lip:
Lip Pencil in Cherry – to line the lips
Lipstick in Ruby Woo – painted on with a 316 brush in an opaque layer , then smudged
slightly below the lower lip on one side as if the girls had pulled it themselves with a finger (a touch of lipstick was then added to each girls finger/hand)

Paris Fashion Week - MAC Cosmetics Face Charts March 4th

Eyes:
Rice Paper Eye Shadow and Mineralize Skinfinish Natural in Medium Dark – blended
onto the eye lids.
Coffee Eye Pencil – smudged along the lash lines with brush 266.
PRO Lash in Charcoal Brown – applied to curled lashes
Brow Set Clear – to groom the brows
FACE:
Face and Body Foundation – applied for a natural base
Select Sheer Loose Powder – to set foundation
Rice Paper Eye Shadow – to highlight the tops of the cheekbones
Mineralize Skinfinish Natural in Medium Deep – to contour the cheekbones
Lip:
Lip Conditioner – patted onto lips


Eyes:
Select Cover-Up Concealer – applied under and over the brows to blank them out
Paintstick in Primary Yellow – colouring the inner and outer corner
of the eyes , edges are blurred
Cream Colour Base in Orange Alarm – placed in the centre of the lid
from lash to slightly above the crease and blended up
PRO Invisible Set Powder – to set colour
Chromaline in Cyan – used to draw a very thin arched brow
No mascara
FACE:
Select Cover-Up Concealer – applied over the entire face
Lip:
Lip Glass in Pink Poodle – used to draw a precise pink lip
Clear Lip Glass – layered over the pink

Paris Fashion Week - MAC Cosmetics Face Charts March 3rd

Eyes:
Cream Colour Base in Mid Tone Sepia – blended into the crease of the eyelids
Pearl Cream Colour Base mixed with Strobe Cream – to highlight the inner
corners of the eyes and lids
Dark Brown X Mascara – for naturally defined lashes
Impeccable Brow Pencil – to lightly fill in and brush up the eyebrows
face :
Pearl Cream Colour Base mixed with Strobe Cream – to highlight high planes of the face
Bone Beige or Sculpt Sculpting Powder OR Blush in Cheek or Pinch o’ Peach – depending on skin tone
to slightly flush and sculpt the cheeks
Lip:
Honey Love Lipstick – applied to the corners of the lips for shape
Nude Cream Colour Base – in the center of the lips
Clear Lipglass – blended over entire lip



Eyes:
42 and 44 Lashes — glued together at inner corners , flipped
upside down and applied slightly above lash line
PRO Black Crème Liner – used to fill the ga p along the inner half
of eye only between lash line and false lash
Clear Brow Set – brows brushed up
FACE:
Studio Sculpt Foundation – applied as a base
Silver Dusk Loose Powder – on cheekbones and bridge of nose
Studio Sculpt Foundation – layered over the Silver Dusk areas to soften the sparkle
Black Black Micronized Airbrush Formula – airbrushed on forehead
creating a sombre effect
Lip:
Studio Sculpt Foundation over Lip Conditioner – to block out lip colour