NYFW September 10th - MAC Cosmetics Face Charts

COSTELLO TAGLIAPIETRA

“A MODERN MIA FARROW FROM THE MOVIE
THE GREAT GATSBY WHICH WAS SET IN THE 1920S.”
LISA BUTLER


EYE
ROOT CREAM COLOUR BASE –
DIFFUSED OVER THE EYELIDS FROM LASH LINE TO BROWS.
COAL BLACK PRO LASH MASCARA –
APPLIED TO TOP AND BOTTOM LASHES.


LIP
BRIT WIT BLUSH CRÈME AND
VINTAGE ROSE CREAM COLOUR BASE –
THICKENED WITH CONCEALER PATTED ONTO THE LIPS.


FACE
BRIT WIT BLUSHCREME AND
VINTAGE ROSE CREAM COLOUR BASE –
BLENDED ONTO THE CHEEKS
FOR A TRANSLUCENT NATURAL FLUSH.

DOO.RI

“SHE’S A FADED GIRL-DISCREET AND WASHED OUT
WITH JOYFUL BUT MINIMAL COLOUR.”
TOM PECHEUX

EYE
WASHED OUT CREAMSHADOW (AVAILABLE 2011) –
BLENDED OVER THE EYELIDS.
ASH BLONDE STUDIO FINISH SKIN CORRECTOR (AVAILABLE 2011) –
APPLIED TO THE INNER CORNERS OF THE EYES.
DERAILED CREAMSHADOW (AVAILABLE 2011)
AND OCHRE STUDIO FINISH SKIN CORRECTOR –
BUFFED INTO THE OUTER CORNERS OF THE EYELIDS
AND LOWER LASH LINE.


LIP
ASH BLONDE STUDIO FINISH SKIN CORRECTOR (AVAILABLE 2011) –
PATTED ONTO THE LIPS.
OCHRE STUDIO FINISH SKIN CORRECTOR (AVAILABLE 2011) –
TOUCHED INTO THE CENTER OF THE LIPS.

FACE

FACE AND BODY FOUNDATION – APPLIED FOR NATURAL

AND PERFECTED SKIN.

PROLONGWEAR CONCEALER – APPLIED WHERE NEEDED.

PETER SOM


“WE TOOK THE ICONIC ’60S EYELINER BUT MADE IT FRESH
BY DOING IT IN YELLOW INSTEAD OF CLASSIC BLACK.”
TOM PECHEUX


EYE
M·A·C PRO PRIMARY YELLOW CHROMALINE –
BRUSHED ON IN A PRECISE ’60S SHAPE
WITHOUT THE OUTER CORNER WING.


LIP
SO VAIN KISSABLE LIPCOLOUR (AVAILABLE 2011) –
PATTED ONTO THE LIPS.




FACE
FACE AND BODY FOUNDATION –
APPLIED TO EVEN OUT THE SKIN TONE IN A SHEER WAY.
MINERALIZE SKINFINISH NATURAL –
TO SOFTLY SCULPT THE FACE AND REPLACE
THE DIMENSION LOST WHEN FOUNDATION WAS APPLIED.